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Far

Rate It! Avg: 4.0 (506 ratings)
Far album cover
01
The Calculation
3:11
02
Eet
3:50
03
Blue Lips
3:31
04
Folding Chair
3:33
05
Machine
3:51
06
Laughing With
3:14
07
Human Of The Year
4:07
08
Two Birds
3:15
09
Dance Anthem Of The 80's
3:41
10
Genius Next Door
5:05
11
Wallet
2:26
12
One More Time With Feeling
3:57
13
Man Of A Thousand Faces
3:11
Album Information
ALBUM ONLY

Total Tracks: 13   Total Length: 46:52

Find a problem with a track? Let us know.

eMusic Review 0

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Laura Leebove

Deputy Editor

Laura Leebove is a Brooklyn-based music journalist whose writing has appeared in various publications including Billboard, Spinner.com, Venus Zine, Critical Mob...more »

06.01.10
One more time, with feeling
2009 | Label: Sire

On far, Regina Spektor's fifth LP and first since her mainstream breakthrough Begin to Hope, the pop songstress sets romance mostly aside and instead considers life in broader strokes. While it wouldn't be a Spektor album without a couple of love songs, most of her stories here are about death, feeling lost and — more so than in the past — faith and religion. In "Laughing With," she suggests that God is laughing at everyone; in the haunting "Human Of The Year," which is set in a cathedral, she likens religious idols to everyday people, singing, "The icons are whispering to you/ They're just old men/ Like on the benches in the park/ Except their balding spots are glistening with gold."

More than anything, Far is a mainstream pop album with no shortage of hooks: Tracks like "Eet" and "Laughing With" were made for commercial radio. Longtime Spektor fans, though, will likely gravitate most toward "Folding Chair," in which Spektor does her best dolphin impression, and the synth-backed "Dance Anthem of the '80s," which starts with Spektor making cymbal noises and singing in unison alongside a simple piano line. The lyrics on far require a bit more deciphering than those on… read more »

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user avatar

Don't miss the irony

pat5123

I've read a couple of bad reviews where the reviewers have completely missed the character and irony in Far, and customers just hearing the short previews here might miss it too. There are pieces on far where there's a "self-importance", but it's frosted with irony. The chorus lyric on "Human of the Year" (fyi there is no "Human of the Year" award). "Wallet" is a brilliant parody of exposition in musical theater songs. If you can appreciate Emily Hains' sarcasm, you'll get Far.

user avatar

Amazing talent

silentEcho

Though she sings the right notes, Regina does have a voice that doesn't appeal to everyone, and it is an acquired taste, but she is so talented as a singer with the way she makes songs interesting with her voice and she can really right a song. Songs on this album like "Blue Lips," "Laughing With," and "Genius Next Door" will stick with you and you will want to listen to them over and over.

user avatar

LOVE.

chien

I get lots of music, and this one has been my most played of the year. A gem.

user avatar

all or nothing?

Yosh

I had a girl friend like that once.......a long time ago.

user avatar

Thumbs down On "all or nothing"

Blake1

I like much of this album, but I'm not going to burn 12 credits to get just a few of the songs I like. Sorry, Emusic, need to get better contract deals with these labels. And boo also to the record label for setting these terms. Lost customer here.

user avatar

More grown up

wicked63

Begin to Hope was quirky and interesting, like she was testing her voice and capabilities. Far sounds more polished and together, but her unique voice still comes out. I recommend both.

user avatar

Fine by me

TangerineLemming

I also say all is better than nothing. These will be 12 credits I don't mind spending.

Recommended Albums

They Say All Music Guide

Regina Spektor worked with no less than four big-name producers on Far, all of them with very different backgrounds: David Kahne was her collaborator on 2006′s Begin to Hope; Garret “Jacknife” Lee counts R.E.M. and U2 among his credits; Jeff Lynne’s lavish sound is famous on ELO’s albums; and Mike Elizondo has worked with Fiona Apple and Maroon 5. It’s something of a surprise, then, that Far sounds so homogenized. On Soviet Kitsch and Begin to Hope, Spektor’s wide-eyed moments were balanced with darker, knowing songs that kept her music grounded. Here, almost all of the rough or unpredictable edges have been smoothed away, and all that’s left is Spektor’s sweet, quirky side. At times, Far gets close to being unbearably precious, whether it’s putting Spektor’s name in all lowercase letters in the liner notes, her dolphin on the otherwise charming “Folding Chair,” or lyrics like “We made our own computer out of macaroni pieces” on the chirpy opener, “The Calculation.” Even the album’s darker tracks, such as the percussion-heavy “Machine,” are surprisingly sugary compared to her previous work. However, Spektor’s guileless voice and delivery allow her to get away with sounds and ideas that would be horribly cloying in the hands of almost any other artist. She manages to make a song with the chorus “Eet, eet, eet” catchy and affecting, and fashions an observant and witty story out of returning a wallet to Blockbuster Video. Still, Far’s best moments occur when Spektor turns down the whimsy a few notches. It’s probably not a coincidence that the Kahne-produced “Human of the Year” shares some of Begin to Hope’s intimacy and ambition, but “Blue Lips” and “Man of a Thousand Faces” also let Spektor’s more mature — but not overly serious — side shine. Likewise, “Two Birds” and “One More Time with Feeling” show that she hasn’t lost her touch for deceptively pretty pop with clever lyrics. While Far is far from bad, it doesn’t quite live up to expectations, either, based on all the talent involved in making it and how fully Spektor expressed herself on Begin to Hope. – Heather Phares

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