Blue Record

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Blue Record album cover
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Total Tracks: 12   Total Length: 44:30

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J. Edward Keyes

Editor-in-Chief

J. Edward Keyes has been writing about music for nearly 15 years, a fact he occasionally finds terrifying. His work has appeared in Rolling Stone, the Village V...more »

06.01.10
Metal outsiders' sophomore effort is meant to be swallowed whole and played LOUD
Label: Relapse Records

First things first: The sophomore outing from Georgia metal band Baroness is called The Blue Record. That appellation is important: Its 12 songs are meant to be swallowed whole; musical themes are repeated, inverted and reinterpreted, snatches of lyrics appear again and again over the course of several songs and every note of every song feels more the work of deliberate design than haphazard jamming.

All of this would be a recipe for bloat, but Baroness's roots are in hardcore, not prog, so The Blue Record's grand ambitions are leavened with a healthy punk snarl. They're self-confessed metal outsiders — as is producer John Congleton, whose resume includes St. Vincent's Actor as well as albums by the Mountain Goats and Okkervil River. Don't think Armored Saint, think Hot Snakes with more compositional flair. The songs are packed with an astonishing level of detail: hairpin turns, methodically arranged subsections, surgically precise tempo changes and guitar leads that require an almost supernatural dexterity (How many 32nd notes can two men play?). Witness the apocalyptically named "A Horse Called Golgotha," how it goes from blistering riffage to hammering punk rock to full-gallop hard rock — all within the first… read more »

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Whoa

STAGEMONGER

It takes a couple of listens to get your footing with this record. It's so deep and there is so much going on that just one spin is not going to do it justice. Take the time to go through it a few times before you form an opinion. That said, I have listened to this record nearly every day since it came out. I went to see them in New Orleans and they totally pull it off live, which is impressive. This is one of my favorite bands and I can't wait to hear what they do next.

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Been awhile...

theenddecay

Since I heard a metal album like this one. Reminds me of the stuff I used to hear my dad playing when I was growing up in the 80s. It's damn good.

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So good...

MAXmaxMAX

Best metal album I've heard in years.

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epic metal, yet also punk rock

EBJURNHJAM

it really does lie somewhere in between fugazi and iron maiden. which is pretty much all that is right with the world. i rocked this all weekend long; sad i didn't hear it sooner. epic.

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Georgia-based psychedelic rock band (calling them a metal act seems very reductive, though there’s some seriously headbangable material on this disc) Baroness has made a subtle but unmistakable evolutionary leap on this, their second full-length and a clear companion piece to 2007′s Red Album. It’s hard to say exactly what new guitarist Pete Adams has brought to the band after replacing drummer Allen Blickle’s brother Brian, but the band’s established blend of Southern sludge riffs, druggy instrumental journeys, and melodic interstitial interludes, all propelled by a particularly thudding drum sound and held together by John Baizley’s hoarse but clean vocals and gorgeous cover art, are even stronger now than before. The transition from the almost Moody Blues-like “Steel That Sleeps the Eye” into the crunching hard rock epic “Swollen and Halo” is just one example of Baroness’ seamless melding of moods through technique and compositional acumen. There are numerous interludes on the disc — basically, any track shorter than four minutes is an exploration of a riff followed by a dissolve into sound effects or keyboard swooshes, slowly dissolving into the next actual song. “Ogeechee Hymnal,” for example, offers one of the album’s heaviest riffs, but it’s a mere appetizer before “A Horse Called Golgotha,” a suitably galloping prog-metal epic that effectively conquers Mastodon’s territory, and includes some astonishing guitar leads. This is a ferocious album that’s not afraid to be genuinely beautiful. One of the best hard rock releases of 2009. [There's also a two-disc deluxe edition that pairs the album with a live set recorded in 2008.] – Phil Freeman

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