eMusic Review 0
First things first: The sophomore outing from Georgia metal band Baroness is called The Blue Record. That appellation is important: Its 12 songs are meant to be swallowed whole; musical themes are repeated, inverted and reinterpreted, snatches of lyrics appear again and again over the course of several songs and every note of every song feels more the work of deliberate design than haphazard jamming.
All of this would be a recipe for bloat, but Baroness's roots are in hardcore, not prog, so The Blue Record's grand ambitions are leavened with a healthy punk snarl. They're self-confessed metal outsiders — as is producer John Congleton, whose resume includes St. Vincent's Actor as well as albums by the Mountain Goats and Okkervil River. Don't think Armored Saint, think Hot Snakes with more compositional flair. The songs are packed with an astonishing level of detail: hairpin turns, methodically arranged subsections, surgically precise tempo changes and guitar leads that require an almost supernatural dexterity (How many 32nd notes can two men play?). Witness the apocalyptically named "A Horse Called Golgotha," how it goes from blistering riffage to hammering punk rock to full-gallop hard rock — all within the first… read more »