13 Most Beautiful: Songs For Andy Warhol's Screen Tests

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13 Most Beautiful: Songs For Andy Warhol's Screen Tests album cover
Album Information

Total Tracks: 21   Total Length: 99:19

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Caryn Ganz

eMusic Contributor

Caryn Ganz is the editor of the Yahoo! blog The Amplifier. She's previously worked as an editor at RollingStone.com, SPIN and MTV News, and cowrote the book Foo...more »

07.27.10
A dreamy soundtrack to Warhol's silent 1964-66 footage
2010 | Label: Double Feature Records / Redeye

In 2008, onetime Luna bandmates Dean Wareham and Britta Phillips wrote music to accompany 13 of Andy Warhol's iconic four-minute-long screen tests for a Warhol Museum exhibition. Now compiled as a full album plus eight remixes, the songs — for personalities including actor Dennis Hopper, the Factory manager Billy Name and Edie Sedgwick's husband Paul America — are mostly dreamy soundscapes that make most sense playing alongside the flickering black-and-white silent images the artist shot between 1964 and '66. "Silver Factory Theme" recalls the woozy drone of the Velvet Underground, while "Ann Buchanan Theme" is a simple slice of atmospheric drum machines and synthesizes.

The most successful parts of 13 Most Beautiful are the fully realized songs. "It Don't Rain in Beverly Hills," a gently throbbing electro-pop tune, is topped by Wareham's reverb-heavy electric guitar. "They said you belonged on the silver screen," he sings to accompany Edie Sedgwick's sad-eyed stare into the camera. "Oh my God, you are so beautiful." Phillips's sweet vocals brighten Bob Dylan's "I'll Keep It With Mine," which is dedicated to Nico. And Wareham happily growls through the Velvet Underground's "I'm Not a Young Man Anymore" as the track's circular riff surfs a propulsive… read more »

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you can have it all

EMUSIC-00E2E520

really nice stuff--by far my favorite dean & britta--but it got more expensive in the upgrade--and it's cheaper on amazon. . .

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Well worth the 20 credits

AstralGlamBoy

I've always been enraptured by Warhol's screen tests. These songs make them even better. Dean and Britta do a great job of emulating the Velvet Underground without imitating their sound, thereby replicating the mood of Warhol's factory while also sounding contemporary. I can't imagine a better, more atmospheric tribute to the screen tests than this (BTW, there is also and excellent DVD with the films).

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You'll be fine with Disc 1...it's good!

DGLS2

Unless you REALLY want the remixes, the extra 8 downloads are better spent on something else...like how 'bout the Galaxie 500 "Peel Sessions!"

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Download this

Lencho

If you love the mellow, druggy side of Velvet Underground and all the bands that sound like the mellow, druggy side of the Velvet Underground—Feelies, Spacemen 3, Yo La Tengo, Galaxie, etc.—this will be like candy.

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Close to Luna

Billsen

Like many, I was saddened when Luna called it a day, but this collaboration between Dean and Britta continues the Luna legacy. While not as fully realized as some of Luna's best work (like Bewitched), given that Luna and Dean's prior band, Galaxy 500, often seemed to share DNA with the Velvet Underground, this piece draws deeply from that well.

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They Say All Music Guide

Renowned pop artist Andy Warhol swapped canvas for celluloid and made 13 short black-and-white silent films between 1964 and 1966, all of which followed a single subject (person), usually within the confines of his Factory studio. Luna veterans Dean Wareham and Britta Phillips were commissioned by the Warhol Museum to provide a soundtrack for the film, and the resulting two-disc set, 13 Most Beautiful: Songs for Andy Warhol’s Screen Tests collects all of those pieces, along with a handful of remixes. Tapping one third of the late-’80s pop outfit Galaxie 500 was a no-brainer, as WarehamÂ’s made a career out of building dreamy, minimalist, Velvet Underground-style jams for over 20 years, and instrumental cuts like “Silver Factory Theme” and “Herringbone Tweed” feel like audio postcards of the late-’60s Factory scene. PhillipsÂ’ sexy, plain-jane voice dutifully echoes Nico on a cover of Bob DylanÂ’s “Keep It with Mine,” WarehamÂ’s “It Don’t Rain in Beverly Hills” (for the Edie Sedgwick screen test) rolls down the road on a foundation of spacy beats and blips, and a rousing take on the VelvetsÂ’ “I’m Not a Young Man Anymore” feels both sad and triumphant. 13 Most Beautiful ends fittingly with the languid “Sweet Jane” and the Paul America-inspired “Teenage Lightning (And Lonely Highways)”. – James Christopher Monger

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