Mines

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Mines album cover
Album Information

Total Tracks: 11   Total Length: 54:22

eMusic Review 0

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Andrew Parks

Director of Merchandising

07.27.10
A tense-but-cohesive descent into darkness
2010 | Label: Barsuk Records

Truth be told, it's amazing this album's even out. As Menomena's drummer/singer (Danny Seim, last heard fronting Lackthereof) admits in the band's bio, "brutal disagreements, unrelenting grudges and failed marriages" threatened to tear the trio apart in the three-and-a-half years since Friend and Foe. The tension's clear on every single cut — the group is pulled in countless creative directions, from the skittish drums that cut across "Tithe" to the defeat-and-despair that drives "Dirty Cartoons" off a cliff.

Considering all of the bickering, and the fact that all three members sing and are self-proclaimed control freaks, you'd think Mines would sound like a loosely linked collection of solo EPs. And yet, it does feel like one cohesive statement; a minor-key descent into darkness, sure, but a cohesive statement nonetheless.

So if this is the beginning of the end for three longtime friends, they're at least taking it seriously — their focus yields such rewarding details as the slurred sax lines of "Bote," the prickly piano progressions of "Killemall" and the freaky funk nods of "Oh Pretty Boy, You're Such a Big Boy." Now if only some light would peek in the end of Menomena's tunnel — before it's too late.

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simply amazing

DJstev

I downloaded this album and completely forgot about it. My iTunes library was on shuffle, and every time a song from this album came on my attention was immediately captured. I went back and listened to the album and was blown away. Every song on the album is amazing. The Bass is absolutely killer, the piano is beautiful, the drums solid and the guitar, which is not the centerpiece of the album, sneaks in on you with some damn cool riffs. My favorite album of the year so far. "Dirty Cartoons" and "INTIL" are my faves.

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So Good.

jwarwick

This is the best album I've heard in a long time. "Oh Pretty Boy, You're Such a Big Boy" and "TAOS" are some of the best songs I've heard, ever. Get it.

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Top 5 Album of 2010

aeonartists

The emotional depth within this album is fantastic... this album is mature beautiful sad and fulfilling.

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HellYez!

BonniePrinceKillme

Been more or less 'ehhh' on these fellers in the past, while still actually liking them. Past recordings were 'good'. This record, on the other hand, is really really outstanding. These songs are interesting, layered, unpredictable, beautifully recorded... absolutely fabulous stuff. In my Top 10 for the year without a doubt. Reminds me of Microphones, and Modest Mouse and, oddly, Elbow. I dunno. There's a big steaming pile of awesome here and I am pleased as punch.

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Siiiick

justinscottwilliams

Didn't know the band had all these problems going on...I'm so glad they were able to keep it together and come out with this. It really feels like a step forward from "Friend and Foe," which I find difficult because that album was pretty awesome. The entire album's a breeze to listen to, but personal favorites are "Dirty Cartoons" and "INTIL".

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Coming into their own

ChimbleySweep

More straightforward an accessible that their previous efforts. Menomena crafts an album with tight songs that flows extremely well.

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They Say All Music Guide

Drifting between order and disarray, Menomena’s fourth album is like an exercise in controlled chaos. While Menomena are still working in layers of fractured harmony, Mines feels like one of their more focused efforts to date. Given the density of the songs here, reining themselves in couldn’t have been a small feat, and the album probably owes a lot to its relatively downtempo feeling. The careful, plodding pace of songs like “Lunchmeat” and “Tithe” gives Menomena plenty of time to find their way around the songs, patiently adding and removing layer upon layer to the songs until listeners suddenly find themselves amidst a swirling maelstrom of melody. This kind of control gives Mines a roller coaster feeling, with slow buildups leading to a frenzy of activity, with the whole thing giving the impression that it could go off the rails at any time when in reality you’re safe and secure, with the album only offering the promise of danger when in reality the chances of things getting out of control are slim. It’s that slight promise of danger, however, that makes Mines an exciting listen. Track after track, Menomena perform this kind of complicated juggling act, adding more and more balls to the mix, and just when it seems that things are about to drop, the band reels it all back in, takes a bow, and does the whole thing over again. What’s surprising, though, is that despite its density, Mines is a thoroughly accessible album from start to finish, meaning fans both old and new will have no trouble diving into its easygoing rhythms, and if they stick around to fully explore its depths, they’ll find that there’s plenty to like. – Gregory Heaney

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