Holy Hell

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Total Tracks: 10   Total Length: 26:45

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Douglas Wolk

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Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

07.06.10
The riff-rocking solo debut from Screaming Females' leading lady
2010 | Label: Don Giovanni Records

Marissa Paternoster is best known as the howling, shredding frontwoman of Screaming Females. Holy Hell, though, is effectively her first solo record — she's been making considerably more subdued recordings on her own under the name Noun since before Screaming Females began. "Subdued" is relative, of course: She sings almost everything here in a full-throated Kristin Hersh bellow, and most of these songs are plenty aggressive by anyone else's standards. "Outer Space" and "So Rough," for instance, are both rip-snorting riff-rockers where half the fun is the way Paternoster pits a bunch of monstrously nasty guitar tones against each other, and "Talk" lets individual distorted chords bloom over its duration like clouds of dust. But we also get to hear a slightly less axe-crazy version of her songwriting — there are a few songs built around the sound of a boxy old piano. Religion's never too far from the surface of Paternoster's lyrics here — a lot of these songs circle around the idea of the afterlife. The oddest feature of the album, though, is two consecutive mixes of the slinky, grimy "Brother," the first slightly more restrained than the second. What could it mean? That what we're… read more »

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Stunned

JMax

She's what? 18 or something? And she holds forth like the Furies themselves. There is a fait bit of depth on this solo recording; some rough edges too, but mostly the good kind. In places she seems to be aiming for something in between Cat Power and Kat Bjelland/Babes in Toyland -- when she cranks it up, it's reminiscent of Bjelland's best intensities. If you like intense guitar-rock and howling vocals from the underworld, you'll probably like this. A talent to watch, Imagine when she's 25!

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They Say All Music Guide

At 26 minutes in length, Screaming Females guitarist Marissa Paternoster’s solo effort is an “album” only in the most formal sense. But given the gleeful anarchy of her sound, the length feels just about right. Recording under the name Noun, Paternoster plays most instruments herself (there are several guest musicians helping out) and writes all the songs, which are all over the place. The album opens with the subdued, weird, and not terribly interesting “Black Lamb,” and then explodes with “Outerspace,” a full-on rock & roll freakout whose scrappy surface fails to disguise the serious songcraft that underlies its gritty top layer. Here Paternoster’s voice starts evoking Ari Up at her full-throated punkiest, and that comparison continues to apply throughout the remainder of the album. “Old Friends” gets weird again, but also incorporates subtle but tenacious melodic hooks; “Wrong Things” hints at a certain bluesiness, and “Pearly Gates” combines a compressed, punky vocal sound with Wall-of-Garbage production quality to very nice effect. But the low points do get pretty low, as is very often the case with first solo projects. “Call Earth” is both too much (self-indulgence) and not enough (structure and melody), and although “So Rough” does eventually get over on its merits as a song, you can bet money it would have been every bit as effective if the guitars had been tuned prior to recording. Fans of Screaming Females will likely find much to enjoy here, and newcomers to Marissa Paternoster will also have quite a bit of fun, but the fun might be more sporadic for them. – Rick Anderson

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