The Slim Shady LP

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The Slim Shady LP album cover
Album Information
  • Artist: Eminem (See All Albums by Eminem)
  • Date Released: Feb 23, 1999

  • Genre: Hip-Hop/R&B, Style: Rap, Hip-Hop

  • Label: Interscope

Total Tracks: 20   Total Length: 59:34

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Jayson Greene

International Editor

Jayson Greene writes about music for Pitchfork, the Village Voice and other publications. From 2004-07, he was associate editor for SYMPHONY Magazine, where he ...more »

11.16.10
A hell of an introduction that still hasn't been duplicated
1999 | Label: Interscope

Lots of great rappers have begun their first albums with a memorable, statement-of-purpose line. Very few, however, manage to compress their essence into seven syllables. "Hi, kids! Do you like violence?": Everything was present, somehow, in the first line of "My Name Is," the first song on The Slim Shady LP. The shock humor, the Whoopee-Cushion whine of the voice, the self-appointed role as cheerful corruptor of youth, the intriguingly off-kilter slant rhyme ("violence" telescopes into "vi-lence" to fit the meter); in a split second, Eminem springs into view like paper snakes from a novelty peanuts can.

That song, his breakout hit, is a lurching, rhythmically unstable piece of music; the beat keeps doing a cartoon kersplat, slipping on a banana peel of a keyboard line, while Eminem's rapping seems to be struggling against the very notion of a downbeat. He would later criticize his performance on his early records: "I was always falling off the beat," he lamented to XXL in 2004 — but the odd littered pauses heighten the unpredictability. The video's visual accompaniment — a shot of Mathers jerking spastically in a strait jacket filmed through a fisheye lens — reinforced the vibe: antic, volatile, barely contained. It… read more »

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They Say All Music Guide

Given his subsequent superstardom, culminating in no less than an Academy Award, it may be easy to overlook exactly how demonized Eminem was once his mainstream debut album, The Slim Shady LP, grabbed the attention of pop music upon its release in 1999. Then, it wasn’t clear to every listener that Eminem was, as they say, an unreliable narrator, somebody who slung satire, lies, uncomfortable truths, and lacerating insights with vigor and venom, blurring the line between reality and parody, all seemingly without effort. The Slim Shady LP bristles with this tension, since it’s never always clear when Marshall Mathers is joking and when he’s dead serious. This was unsettling in 1999, when nobody knew his back-story, and years later, when his personal turmoil is public knowledge, it still can be unsettling, because his words and delivery are that powerful. Of course, nowhere is this more true than on “97 Bonnie and Clyde,” a notorious track where he imagines killing his wife and then disposing of the body with his baby daughter in tow. There have been more violent songs in rap, but few more disturbing, and it’s not because of what it describes, it’s how he describes it — how the perfectly modulated phrasing enhances the horror and black humor of his words. Eminem’s supreme gifts are an expansive vocabulary and vivid imagination, which he unleashes with wicked humor and unsparing anger in equal measure. The production — masterminded by Dr. Dre but also helmed in large doses by Marky and Jeff Bass, along with Marshall himself — mirrors his rhymes, with their spare, intricately layered arrangements enhancing his narratives, which are always at the forefront. As well they should be — there are few rappers as wildly gifted verbally as Eminem. At a time when many rappers were stuck in the stultifying swamp of gangsta clichés, Eminem broke through the hardcore murk by abandoning the genre’s familiar themes and flaunting a style with more verbal muscle and imagination than any of his contemporaries. Years later, as the shock has faded, it’s those lyrical skills and the subtle mastery of the music that still resonate, and they’re what make The Slim Shady LP one of the great debuts in both hip-hop and modern pop music. – Stephen Thomas Erlewine

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Activity

  • 05.16.12 Shady Records' own Slaughterhouse Feat. Ceelo Green #MyLife is available now @iTunesMusic http://t.co/ZBzi4Qeu
  • 05.01.12 B.o.B's Strange Clouds album is out now, and it's crazy. http://t.co/EOIO5sTu
  • 04.02.12 Get the new @realobietrice album "Bottoms Up" out April 3rd, pre-order it now http://t.co/rZzk1wre #bottomsup They call me Richard...
  • 03.28.12 Slaughterhouse tour hits MI next wk! Next 50 to buy tix for Royal Oak or Grd. Rapids get a free pair of Pistons tix! http://t.co/9j7Zkmdi
  • 03.21.12 Thanks to everyone who came to Shady 2.0 SXSW or watched on Fuse. Here's a recap of our event: http://t.co/GDIzU5rX
  • 03.17.12 Watch the Fuse network tonight at Midnight EST @50cent performing the entire Get Rich Or Die Tryin' album! #shadysxsw #shadyonfuse
  • 03.17.12 The Shady 2.0 SXSW showcase is live now at http://t.co/Dze4cId4 #shadysxsw #shadyonfuse tune in for Slaughterhouse and MORE!
  • 03.08.12 http://t.co/whnqz6Ti #shadysxsw
  • 01.27.12 Shady Records' group Slaughterhouse is having a live chat tonight at 9PM EST on http://t.co/9v3w9eyo sign on and ask some questions!
  • 11.28.11 Australia, I'm on the way. Tickets still available for Sydney Dec. 4th show: http://t.co/JvS5frnn
  • 11.21.11 Ok @yelawolf I'm out! #radioactive
  • 11.21.11 Q10- If u could play #radioactive for any person in the world, who would it be?