This Year's Model

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Total Tracks: 40   Total Length: 129:54

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Douglas Wolk

eMusic Contributor

Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

12.27.10
With the Attractions behind him, he's genuinely dangerous
2008 | Label: Hip-O / Elvis Costello

It takes all of five seconds for Elvis Costello's second album to kick into high gear. "I don't wanna kiss you, I don't wanna touch," he sneers. (You were expecting a love song?) Then Pete Thomas cracks his snare drum like he's trying to hurt it, a billow of noise swells up, and Costello starts ranting about how he's toxically jealous. Less than two minutes later, with one last snap of "every time I phone you, I just wanna put you down," they're done and on to the next attack. On My Aim Is True, Costello had sounded angry; with the Attractions behind him, he's genuinely dangerous.

Not long before his first album's release, Costello had advertised for a "rocking combo" to back him up. He got much more than he bargained for. Within weeks, he'd gone from a singer-songwriter with backup to the frontman of a world-class rock 'n' roll group: drummer Pete Thomas, bassist Bruce Thomas (no relation) and keyboardist Steve Nieve, a.k.a. the Attractions, became his inseparable crew for the next six years (and on and off for a decade after that), and Nieve and Pete Thomas are still playing with him more than three decades after they… read more »

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Re-Issued Again?

rickstervc

This is my favorite Elvis album, and one that I feel everyone should own. That being said, I already have the Ryko and Rhino re-issues, as well as the original CBS release. Both the Ryko and Rhino editions sounds great. I just bought Live at Hollywood High (which is excellent) and the El Macombo set, so I guess I need to decide whether I want the live disc or not....It's really a tough call...

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When He Rocked

MadDogM13

Elvis' career has been pretty wide-ranging and fascinating, but this is the music of his that I really love--catchy, loud, righteously pissed, and rechanneling the British Invasion through the Seeds and the Sex Pistols for one of the greatest rock albums of the Seventies. Glad this edition contains the wonderful singles ("Tiny Steps," "Chelsea," and "Night Rally being my favorites) that he seemed to crank out monthly at the same time. And an extra star for The Attractions, one of the slammingest backup bands ever.

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the angry young Elvis

Latch

at his best - a classic

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They Say All Music Guide

For those keeping score, Universal’s 2008 Deluxe Edition of This Year’s Model is the third expanded reissue of Elvis Costello’s classic 1978 album. Like its 2002 predecessor from Rhino, Universal’s expanded edition is a double-disc set, sharing many, but not all, of the same bonus material from that previously released package. Rhino shuffled off all the bonus tracks to a separate second disc running 12 tracks, whereas Universal adds ten tracks to the 13-track album on the first disc, then presents a full concert — recorded on February 28, 1978, at the Warner Theater in Washington, D.C. — on the second disc. Of those 12 tracks from the 2002 edition, three of them have been excised — excellent Capital Radio versions of “You Belong to Me” and “Radio, Radio” plus a BBC version of “Stranger in the House” — while “Tiny Steps,” which was included on the 2002 Rhino expansion of Armed Forces, was added. All in all, a fair trade — quite frankly, the three songs aren’t missed as much as Costello’s terrific liner notes; without them, the packaging of this Deluxe Edition feels a bit bare-bones — and the concert on the second disc, while not as memorably unhinged as the legendary Live at the El Mocambo recorded less than a week after this gig, is still invigorating and worthwhile listening for hardcore Costello fans. Of course, the question is whether those hardcore fans are willing to purchase this album for the fourth or fifth time just to hear a good concert, as all the really essential bonus material was on both the Rhino disc and the previous Ryko/Demon reissue of the ’90s. Those who have the budget and inclination will surely be pleased by this set, but any fans who decide to sit this out either on matters of budget or principal can rest assured that they’re not missing something monumental. – Stephen Thomas Erlewine

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