Unlearn

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Album Information

Total Tracks: 14   Total Length: 37:12

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Marc Hogan

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Marc Hogan has been occasionally getting paid to write about music since 2003. His music writing has appeared, with enormously varying degrees of regularity, in...more »

01.14.11
A painstakingly sloppy, hilariously deadpan exercise in juvenile regression
2011 | Label: Hardly Art / Sub Pop Records

Legend has it quintessential punk-rock prototypes the Troggs took their name from an unkempt tribe of British kids who stripped off their clothes and lived in caves. That idea would probably suit Fergus & Geronimo just fine. The Brooklyn-via-Texas duo's debut is a painstakingly sloppy, hilariously deadpan exercise in juvenile regression from wiseacres who love their Motown as much as their Mothers of Invention.

Unlearn's schizophrenic adventures in doo-wop, jangly British Invasion pop and '90s-style indie rock cohere thanks to an overall ramshackle looseness. But don't mistake this record for lo-fi: Significantly polished from the band's early singles, the songs here never muffle their attacks on phonies of all stripes. Successfully skewered targets include loveless yuppies, sanctimonious oldsters and, yes, trend-spotting music journalists.

The Shangri-Las-inspired title track best sums up this group's m.o.: "You can unlearn what you know/ You can escape all the lies." And recurring, cinematic sing-song fragment "Could You Deliver" bears bad news for Mom and Dad: "Tell them I ran away to join some damn punk rock band." But it's on "Powerful Lovin'," a soulful breakup belter recalling Captain Beefheart circa Safe as Milk, where Fergus & Geronimo really get back to where the wild things…

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"The rock 'n' roll business is pretty absurd, but the world of serious music is much worse," Frank Zappa once told a bemused interviewer. Fergus & Geronimo started with the premise of "Motown by way of Mothers of Invention," and the Texas-bred, Brooklyn-based duo clearly shares Zappa's mischievously sardonic outlook. Unlearn, the band's full-length debut for the Sub Pop imprint Hardly Art, is at once more musically polished and more lyrically caustic than the group's… more »

They Say All Music Guide

Fergus & Geronimo’s debut is a weird one to be sure. For their first full-length, Jason Kelly and Andrew Savage take inspiration from early Mothers of Invention-era Frank Zappa, specifically the doo wop and ‘60s psych of We’re Only in It for the Money, and perform it in the slovenly indie rock vibe of the duo’s lo-fi Woodsist and Hardly Art peers. Somehow, these clashing styles work well, as do the lapses into ramshackle ‘60s garage rock. Unsurprisingly, with its many twists and turns, Unlearn seems aimless at times, but it’s all held together with an underlying slack-jawed simplicity and knowing smirk. “Girls with English Accents” is a flippant, spot-on attempt at imitating the British Invasion, and “Wanna Know What I Would Do If I Was You?” mocks hipsters with the same biting sarcasm that Zappa used against hippies on “Who Needs the Peace Corps.” However, when they’re not incorporating flute and sax solos or taking the piss in other ways, Fergus & Geronimo specialize at playing rough-and-tumble reverberated rock & roll — like Tyvek, or a looser version of Harlem — and always manage to pull things together with a keen melody. This is no easy feat when you’re pushing boundaries so hard. While Savage and Kelly clearly get big kicks from genre-jumping and trying to trip out listeners, “Baby Boomer,” “Michael Kelly,” and “The World Never Stops” show that they can rock earnestly as well. – Jason Lymangrover

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