Let's Get Lost: The Best Of Chet Baker Sings

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Let's Get Lost: The Best Of Chet Baker Sings album cover
Album Information

Total Tracks: 20   Total Length: 64:27

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Chet Baker Shines Despite Some Vocal Flaws

broadwayfool

When it comes to his singing Chet Baker is often like mushrooms: You either love him or you hate him. As a singer myself, there is a lot here on a technical level that almost makes you want to flip a table. Yes, there are moments where Chet and pitch are often like two ships passing in the night. But once you get past the technical flaws, there is a shocking amount of things that grab your attention. HOW can this guy manage pull off the wide-eyed innocence of first love, then your first broken heart AND the bottom of the emotional barrel when you are reflecting on what COULD have been? Despite his flaws Baker manages to explore emotional worlds that even Sinatra or Holiday couldn't pull off at the peak of their powers. Essential to any collection of 50's jazz.

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They Say All Music Guide

To much of the pop (as opposed to the jazz) audience, Chet Baker was known not as an able cool jazz trumpeter, but as a romantic balladeer. The two classifications were not mutually exclusive; Baker’s vocal numbers would also feature his trumpet playing, as well as fine instrumental support from West Coast cool jazzers. For those who prefer the vocal side of the Baker canon, this is an excellent compilation of his best vintage material in that mode. The 20 tracks draw from sessions covering the era when he was generally conceded to be at his vocal peak (1953-1956), and are dominated by standards from the likes of Rodgers & Hart, Carmichael, Gershwin, and Kern. Baker’s singing was white and naïve in the best senses, with a quavering, uncertain earnestness that embodied a certain (safe) strain of mid-’50s bohemianism. That’s the Baker heard on this collection, which contains some his most famous interpretations, including “My Funny Valentine,” “Time After Time,” “There Will Never Be Another You,” and “Let’s Get Lost.” – Richie Unterberger

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