Touch 'Em With Love

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Touch 'Em With Love album cover
Album Information

Total Tracks: 10   Total Length: 27:02

eMusic Features

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Six Degrees of Mirel Wagner’s Mirel Wagner

By John Morthland, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

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Six Degrees of The Band’s Music From Big Pink

By Andy Beta, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

They Say All Music Guide

Touch ‘Em With Love is Bobbie Gentry’s finest studio effort, a fascinatingly eclectic and genuinely affecting record that broadened her musical horizons far beyond the limitations of the Nashville sound. Its unexpectedly gritty, soulful production makes it something of a spiritual twin to Dusty Springfield’s Dusty in Memphis, also released in 1969 (both even feature renditions of “Son of a Preacher Man”): Gentry’s husky, sensual delivery proves as ideally suited for the Southern-fried funk of the opening title track as it does for the bluegrass-flavored “Natural to Be Gone,” deftly moving from genre to genre to encompass everything from faux-gospel (“Glory Hallelujah, How They’ll Sing”) to lushly orchestrated pop (“I Wouldn’t Be Surprised,” the disc’s centerpiece). Even more eye-opening is that Gentry’s originals stand tall alongside material from composers including Burt Bacharach (“I’ll Never Fall in Love Again,” which earned her a chart-topping single in the U.K.) and Jimmy Webb (“Where’s the Playground, Johnny”) — her folky “Seasons Come, Seasons Go,” an acute tale of lost love, offers Touch ‘Em With Love’s most profoundly beautiful moment. A truly great and tragically under-recognized album. – Jason Ankeny

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