Heroes

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Heroes album cover
Album Information
EDITOR'S PICK
  • Artist: David Bowie (See All Albums by David Bowie)
  • Date Released: Aug 21, 2006

  • Genre: Rock/Pop, Style: Rock

  • Label: VIRGIN

Total Tracks: 10   Total Length: 40:26

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J. Edward Keyes

Editor-in-Chief

J. Edward Keyes has been writing about music for nearly 15 years, a fact he occasionally finds terrifying. His work has appeared in Rolling Stone, the Village V...more »

05.18.11
Bowie steps out from the shadows and embraces optimism
2006 | Label: VIRGIN

After the numb isolation of Low, hearing David Bowie proudly proclaim “I will be king, and you will be queen” in “Heroes” now-iconic title track is not unlike watching a time-lapse spring thaw. The second installment in Bowie’s Berlin Trilogy, “Heroes” is just as warped, fractured and neurotic as its predecessor, but where Low was almost suffocating in its minimalism, “Heroes” expands its sonic palette substantially, making room for Robert Fripp’s hyper-processed and appropriately manic lead guitar. If Low‘s prevailing mood was spookiness “Heroes”, if not exactly optimistic, at least makes room for the possibility of rescue. “‘Heroes,’ I think, is compassionate,” Bowie said in an interview at the time of the album’s release. And even at its bleakest — particularly in the twisting, tortured “Sons of the Silent Age” — Bowie still croaks, “Baby, I’ll never let you down.” The album’s opening assault is riveting, a collection of bent-metal music powered by a proto-industrial grind and centering around Bowie’s coming-unglued delivery. “Blackout,” in particular, is a sonic typhoon, Fripp’s needlepoint guitar scraping against sheets of steely synth. Bowie is frantic and mangled in the cogs, howling “Get me to a doctor’s!” like a man mid-breakdown.

Like Low, the second half… read more »

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They Say All Music Guide

Repeating the formula of Low’s half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp’s guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking. – Stephen Thomas Erlewine

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