Weekend At Burnie's (Deluxe Version)

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Weekend At Burnie's (Deluxe Version) album cover
Album Information
EXPLICIT // EDITOR'S PICK

Total Tracks: 12   Total Length: 43:51

eMusic Review 0

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Ilya Zinger

eMusic Contributor

07.13.11
Like a summer interlude
2011 | Label: Warner Bros.

How dependable can a rapper be if he spends most of his time poolside or airborne, entertaining affairs with married women and smoking copious amounts of weed? Six albums and a string of mixtapes since leaving Young Money, with two or three more albums slated for release at the end of 2011, Curren$y might actually be one of the hardest working artists around, relied upon again and again for churning out consistent albums full of substance and style. Recently, he’s moved from independent distribution to Dame Dash’s DD172 Roc-a-fella imprint to a deal with Warner Bros., changing little about himself in the process, continuing to dispatch one laid-back boast after another.

Weekend at Burnie’s feels like a summer interlude. The production is mostly helmed by the duo of Monsta Beatz, who Curren$y’s worked with on both Pilot Talk albums. Here, the two New Orleans beatmakers have carte blanche to weave slow-burning tracks reminiscent of classic G-funk. Mobb Deep’s Havoc contributes to the stellar “She Don’t Want a Man,” but the album is mostly a two-man project. Curren$y plies his craft on slow burners like the heady and dense “Televised,” where the rapper employs his southern drawl to itemize… read more »

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They Say All Music Guide

As stopgap releases go, Currensy’s Weekend at Burnie’s EP and/or mixtape — it was pre-release pimped as both — is a worthwhile distraction, offering fans of his Pilot Talk efforts a chance to hear the rapper in a different setting. Here, the setting is hard, minimal, and retro, with producer Monsta Beatz bringing the ‘80s flavor on all tracks, save for one banger from Rahki, the opening highlight “#Jetsgo.” Guest stars are protégés and friends like Trademark, Young Roddy, and Fiend all chilling with their mentor, who proves himself the king of the chill with lazy numbers like “Still” (“You find my lighter and my grinder, it’ll be perfect ho”) and “This Is the Life” (a free-form mumbler that “drops like a Pharcyde record”). “JLC” gets quite abstract while both “Still” and “Got Paid” roll with a G-funk style, but the mellow is never harshed, and the promise of sunny weekend stoner music from the ‘80s is maintained the whole way through. Don’t expect anything more and life’s a beach. – David Jeffries

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  • 05.25.12 Leave the flying to us..... J.L.R. And Associates ....
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  • 05.25.12 Lastnight was fuckin smackin
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  • 05.25.12 Performed in the spot where they shot the 8mile movie....
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  • 05.24.12 St. Andrews tonight.... Detroit
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