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Fela Ransome-Kuti and Africa 70 with Ginger Baker Live

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Fela Kuti

 
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Fela Ransome-Kuti and Africa 70 with Ginger Baker Live

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Avg: 4.0 (104 ratings)

Afrobeat pioneer makes every song a powerful testimony.

  • We Say...

    Only Bob Marley rivals Fela Kuti's influence and importance as an international voice of protest. Kuti was the prime force behind the creation of Afrobeat, a swaying, jubilant style that merged highlife, James Brown, jazz and African rhythms into a stunningly propulsive and incantatory sound. "The Black Man's Cry" was one of four songs from a collaboration with Ginger Baker, although, sadly, recent reissues of the album have buried Baker's spiraling rhythms in the mix. Kuti was neither a gifted singer nor an innovative saxophonist or pianist, but his personality and spirit were so vital that he turned every song into a powerful testimonial. Between the jutting, swaggering opening and closing sections of "The Black Man's Cry" the lengthy middle includes a prototypical Kuti keyboard solo, judiciously chosen notes and a carefully developed pattern punctuated by a furious, wordless shout that communicates across all language lines.

  • They Say...

    Originally released in 1971, this LP had Fela Kuti solidifying the format that would take him into international visibility in the years to come: extended tracks with grooves that mixed African and funk rhythms, punctuated by rudimentary lyrics. There are just four songs on the album, none shorter than seven minutes, and all but one going over the ten-minute mark. More than a dozen strong, his band, the Africa '70, cooks pretty well on tracks that fuse jazz, soul, and African music in a trancelike fashion that avoids becoming stale, despite the length of the arrangements. Ex-Cream/Blind Faith drummer Ginger Baker's name was given prominence in the billing, probably to attract rock- and pop-oriented listeners who might not ordinarily take a chance on music from the African continent. However, it's Fela and Africa '70, not Baker, who are the dominant presence on a record that sounded much like a mixture of James Brown, fusion, and Nigerian forms. [The 2001 CD reissue on MCA adds a comparatively disappointing 16-minute drum solo by Ginger Baker and Africa '70 drummer Tony Allen, recorded live at the 1978 Berlin Jazz Festival. If Fela had any involvement with that track, it's not noted on the sleeve.]

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