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Orleans Parish

by

Silver Scooter

 
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Orleans Parish
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Avg: 3.0 (24 ratings)

The softcore indie pop that inspired Death Cab for Cutie

  • We Say...

    No less a light than Ben Gibbard once pledged loyalty to Austin pop masters Silver Scooter, which should give you a decent indication of the group's tone and approach. Gentle, longing, guitar-based indie pop focused on splitting up and falling apart, Silver Scooter use a fairly conventional approach to turn out some unconventional pop. Simply put, the songs here are sterling — Scott Garrad's voice is tiny and retiring, and he knows how to instill simple phrases like "delivery driver" — which is repeated and repeated and repeated at one point — with the kind of significance that would make e.e. cummings rethink that whole "cellar door" assertion. These gentle shoulda-been classics tug at the heart as they stick in your head, shy valentines sung to darkened bedroom windows.

  • They Say...

    Silver Scooter's second full-length album, 1999's Orleans Parish, continues in the style they established with 1997's The Other Palm Springs: catchy, driving indie pop with lyrics alternately sad and hopeful. The drums are restrained and simple, laying a solid foundation on which the guitar and bass build shining melodies. Songs such as "Sleight of Hand" and "Cancer & Wide-Eyed Looks" are both melancholy and catchy, the at times mournful lyrics balanced by the bouncing instrumentation. "Deliver Me Driver" could be a letter from a Silver Scooter fan, the narrator singing, "I love your songs/they're filled with melody and melancholy." This, in fact, is the essence of this Austin band: emotional songs often touching on themes of loss and loneliness, but delivered in such a way that makes these things not seem so bad.

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