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Listeners more familiar with Philip Glass' copious output of music for small-scale ensembles playing a seemingly infinite string of arpeggios may well be taken aback by 1994's Second Symphony and the Symphony No. 3 from 1995 — two pieces that belie Glass' decades-hardened "minimalist" label. Aided by expansive, tonally rich and yet precise playing from the Bournemouth Symphony Orchestra, conductor Marin Alsop attentively details these pieces' nuanced shifts in color and character.
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| 01. |  |
Symphony No. 3: I. --
|
4:27 |
|
| 02. | |
Symphony No. 3: II. --
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6:17 |
|
| 03. | |
Symphony No. 3: III. --
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9:38 |
|
| 04. | |
Symphony No. 3: IV. --
|
3:32 |
|
| 05. | |
Symphony No. 2: I. --
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16:42 |
|
| 06. | |
Symphony No. 2: II. --
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13:23 |
|
| 07. | |
Symphony No. 2: III. --
|
13:08 |
|
07 Total Tracks, 67:07 Total Length
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