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Rice

by

Eliza Carthy

 
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Rice
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Avg: 4.0 (36 ratings)

Mercury Prize nominated albums from the daughter of Topic legends Norma Waterson and Martin Carthy.

  • We Say...

    Review by Steve Hochman

    Though now sold as two separate albums, Red and Rice were originally released in one package, earning short-listing for the U.K.’s prestigious Mercury Music Prize. Besides, being the daughter of Topic legends Norma Waterson and Martin Carthy, Eliza merits double consideration. Purists need not be frightened by her dyed-red hair on the cover. Sure, there are trip-hop blips on the tune "Red Rice," but by and large these are organic recastings of English folk music with a global scope. Red kicks off with the calypso fling of "The Accordion Song," while "Billy Boy" gives the traditional song a folk-rock-reggae twist before a lively electric guitar solo and spirited fiddle conclusion. Rice takes a sparer approach, the opening "Blow the Winds" building as a stern, erotic epic with acoustic backing that sounds like a skeletal Fairport Convention.

  • They Say...

    Review by Stewart Mason, All Music Guide

    While not a traditional folk album in a strictly purist sense, Rice (originally released in 1998 as half of the two-disc set Red Rice and reissued on its own in 2001) is much more in the vein of, say, early June Tabor or Carthy's mother, the redoubtable Norma Waterson, than the eclectic pop of its twin album, Red. With the exception of a couple of fiddle tunes, most notably the tricky "Haddock and Chips," that are Carthy originals, all of the tracks are traditional English folk songs. Not all of them are given strictly traditional settings, as the hazy overdubbed self-harmonies at the end of the lovely "The Snow It Melts the Soonest" attest, but the arrangements, using the same musicians as on Red, are entirely acoustic. The song selection is excellent, from the humorous "Herring Song" to the trio of dance tunes that closes the album, featuring Carthy's fiddle accompanied by melodeon, guitar, and the amplified clog-dancing of harmony singer Lucy Adams. A richly satisfying collection, Rice seems to be intended to show what Eliza Carthy was capable of in a traditional folk vein before she left folk music almost entirely with her next album, 2000's art rocky Angels & Cigarettes.

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