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Weber: Symphony No. 1; Symphony No. 2

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Academy Of St. Martin-In-The-Fields Under Neville Marriner

 
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Weber: Symphony No. 1; Symphony No. 2
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A legendary composer's first, flamboyant steps.

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    Weber himself is not quite obscure — if you're a regular symphony-goer, you've surely run into one of his opera overtures, or possibly a concerto — but his symphonies are. He wrote only two, during his few months' tenure as Kapellmeister to an oboe-playing duke. Not as dramatic or tightly argued as Beethoven's symphonies, or as tunefully lyrical as Schubert's, Weber's symphonies, written in 1807 when he was just 19, are far quirkier than both. They suggest the master of opera that Weber was to become: listen to the madly plunging gesture that opens the Symphony No. 1 (and the shadowy murmurings that follow, where any other composer would have written a proper first theme), or the atmospheric colorations and lilting tunes in the slow movement of the Symphony No. 2 (a pastoral scene, with the diva just about to step out and deliver her aria). Sir Neville Marriner and the Academy of St.-Martin-in-the-Fields give their all to these flamboyant works.

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