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Citrus

by

Asobi Seksu

 
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Citrus
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Average: 4.5 (195 ratings)

Dream-poppy New York quartet finds its blissed-out voice.

  • We Say...

    Review by Michaelangelo Matos

    Recalling Lush and the Cocteau Twins when they're hazy or Heavenly when they're more straightforwardly poppy, New York quartet Asobi Seksu's second album is one of the brighter shoegaze albums to be released after that style's early-'90s heyday. There is, of course, plenty of guitar distortion here, though James Hanna is as fond of the clean tone that epitomized the twee-pop aesthetic as he is of the aural sandstorms kicked up in My Bloody Valentine’s wake, and Yuki Chikudate’s winsome vocals fit both modes perfectly. But the secret weapon here is drummer Mitch Spivak, who's equally convincing laying down grooves heavy (check his gargantuan rolls on "Red Sea" and "Thursday") and prance-around shambling ("Goodbye").

  • They Say...

    Review by Tim Sendra, All Music Guide

    Asobi Seksu are part of the contingent of bands who refuse to let shoegazing die. There are enough guitar effects on Citrus to make Kevin Shields proud and enough reverb and echo on the vocals to make Rachel Goswell blush. Asobi Seksu make judicious use of loud-soft dynamics, aren't afraid to disappear into great walls of guitar noise and most importantly, they write very good, adventurous, and memorable pop songs. On song after song they throw hook after hook at the listener, vocal melodies, guitar lines, basslines, atmospheres -- everything here is a hook that draws you into the band's cocoon of sound. Singer Yuki has a very malleable voice; one minute she is whispering girlishly, the next she is spreading her wings and coasting on a cloud of guitars. Guitarist James Hanna is very adept at over-dubbing, he turns himself into a swirling, marauding army of guitars that never overwhelms the tunes and always provides perfect accompaniment to the vocals. As the record plays you will think of Moose (especially on "Strawberries" and "Strings") you will think of buzz pop bands like the Primitives ("Thursday," "Goodbye"), maybe some Ride ("Lions and Tigers"), definitely My Bloody Valentine (just about everywhere!). When the record ends you'll think that this is a damn good record by a damn good band, and who cares if you can hear their influences so transparently? There is no shame in keeping a sound alive, especially if you invest it with energy, new ideas, and some soul. It also helps if you bring songs that are as good as those that the originators had. Asobi Seksu have done just that and Citrus is as good a shoegaze record you will ever hear, regardless of release date.

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