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Avg: 4.5 (48 ratings)
- Date Released: April 11, 2006
- Genre: Classical
- Label: LSO Live / IODA
One of the maestro's most rhythmic, tautly interpreted.
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We Say...
"Apotheosis of the dance" is the epithet that has dogged this symphony since Richard Wagner made the observation in an 1849 essay, a commentary on the piece's emphasis on rhythm. This is particularly evident in the finale — no long melodies here, just the obsessive repetition of an Irish-reel-like tune — especially in Bernard Haitink's swift, taut, punchy performance. In the second movement, he never lets the lamenting, floating melodies bog down the relentless march tread underneath. (Or vice-versa, for that matter.) A feeling for dance rhythms (buoyant here, rather than obsessive) also mark this performance of Beethoven's generously-proportioned Concerto for violin, cello and piano.
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| 01. |  |
Symphony No 7 in A major, Op. 92:: Poco sostenuto - vivace
|
13:24 |
|
| 02. | |
Symphony No 7 in A major, Op. 92:: Allegretto
|
7:41 |
|
| 03. | |
Symphony No 7 in A major, Op. 92:: Presto
|
9:05 |
|
| 04. | |
Symphony No 7 in A major, Op. 92:: Allegro con brio
|
8:30 |
|
| 05. | |
Triple Concerto in C major for piano, violin and cello, Op. 56:: Allegro
|
17:39 |
|
| 06. | |
Triple Concerto in C major for piano, violin and cello, Op. 56:: Largo
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5:01 |
|
| 07. | |
Triple Concerto in C major for piano, violin and cello, Op. 56:: Rondo alla polacca
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13:14 |
|
07 Total Tracks, 74:34 Total Length
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