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My Very Special Guests (Legacy Edition)

by

George Jones

 
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My Very Special Guests (Legacy Edition)
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Avg: 3.5 (38 ratings)

  • Date Released: January 1, 1979
  • Genre: Country/Folk
  • Label: Epic/Legacy
  • Copyright: (P) 1990 Warner Bros., 1992 Freeland Recording Co., Inc., 1992, 1993 1994 MCA Nashville, a Division of UMG Recordings, Inc., 1977, 1979, 1980, 1982, 1984, 1985, 1986, 1988, 1991, 1997, 2002, 2005 SONY BMG MUSIC ENTERTAINMENT

George Jones gets together some of the biggest names in the business on this classic

  • We Say...

    As George Jones puts it in the booklet of Legacy's reissue of 1979's My Very Special Guests — which nearly quadruples the original album, ballooning it from 10 tracks to 37 — "I just thought it would be fun to sing some songs with some of my good friends — and some new friends." Sure, George. That's why these ten items were recorded in February 1977 and November 1978 and not released until October 1979 — because it came out so damn spontaneously. Isn't it great when life is that simple?

    Of course, My Very Special Guests was nothing like simple. For one thing, it's the hardcore honky-tonker's first attempt to cross over to a non-country audience since the '50s. (When Jones played New York's Bottom Line in 1980, it was a big deal, because he so seldom showed up in the live-music capitol of America.) For another, it was pulled together while Jones was in the pits of his raging twin habits of drugs and booze. The latter doesn't show up on the album except in its haphazard quality, but either way, nearly two years is a long time for any album to gestate in Nashville, the most efficient major studio center in pop.

    What made My Very Special Guests "crossover" was, yep, the guests. No surprises from fellow hell-raiser Waylon Jennings ("Night Life"), ex-wife Tammy Wynette ("It Sure Was Good"), the ubiquitous Willie Nelson (the fabulous "I Gotta Get Drunk"), ramalama Johnny Paycheck (a "Proud Mary" to make you go "oof"), and folky Emmylou Harris ("Here We Are"). Singer-songwriter James Taylor (a felt "Bartender's Blues") wasn't too much stretch; nor were country-rocker Linda Ronstadt ("I've Turned You to Stone"), or, in its way, a closing "Will the Circle Be Unbroken" with Pops and Mavis Staples that's wonderfully performed, however obvious it might be.

    The two eyebrow-raisers were buried in the middle of side two. Dennis & Ray of Dr. Hook (that's how they're billed; apparently some people don't have last names, only bands) sit in on "I Still Hold Her Body (But I Think I've Lost Her Mind)," the requisite novelty number. And Elvis Costello, the most classicist of the punk generation (whether he was a punk or not), appears on his own "Stranger in the House." Jones' quick, bullfrog-voiced "Thank you, Elvis" at the end is worth the rest by itself.

    So are the bonus tracks on this "Legacy Edition." These constitute the kind of compilation an obsessive fan would make: 27 duets post-dating the original album, through 1997, from all over the Sony vault. This has advantages — for one, it's a tour of 20 years' worth of subtle changes in Nashville music: starts relatively sweet, grows sturdier. The more important is that we get to hear one of the greatest singers on earth on his best behavior: Jones showed out when he worked with other vocalists, and while there's stuff as forced on the later cuts as the blatantly scripted conviviality that mars the album's Paycheck-CCR run-through, a lot of it is genuinely buoyant. Something you might figure no cop — who remembers Janie Frickie? — sneaks up on you ("All I Want to Do in Life"), especially fun-first stuff like the Charlie Daniels duet "Fiddle and Guitar Band" and especially his Ray Charles and Chet Atkins feature "We Didn't See a Thing," on which they sound, truly, like good friends.

  • They Say...

    When George Jones recorded his duets album My Very Special Guests in 1977 and 1978 with producer Billy Sherrill, he was a legend, but his reputation for carousing and blowing off gigs was overshadowing his talent. This album and its successor, I Am What I Am, changed Jones' fortunes professionally even if his personal life didn't come under control until later. This document is a testament to Jones' virtually indestructible voice and his ability to stay true to his vision as the fortunes and focus of commercial country music were rapidly changing. Sony Legacy's reissue is a double-disc set containing a sprawling 38 tracks from the 1970s through the '90s that showcases the album in the context of other duets Jones recorded for various projects -- his own albums, his appearances on other artists' recordings, and compilations. This remaster of the original album is glorious. Duets with Tammy Wynette, Linda Ronstadt, Elvis Costello, James Taylor, Emmylou Harris, Waylon Jennings, Willie Nelson, Johnny Paycheck, and Pops and Mavis Staples are among the finest of his career. Disc one gets rounded off with an additional eight cuts including "A Few Ole Country Boys" with Randy Travis from the latter's Heroes and Friends set, and "Wonderful World Outside" from Ralph Stanley's Saturday Night & Sunday Morning. And the simply awesome "You Don't Seem to Miss Me" with Patty Loveless was a smash form her Long Stretch of Lonesome offering in 1997. Disc two's standouts include Jones with Alan Jackson ("A Good Year for the Roses"), Loretta Lynn ("We Sure Make Good Love"), Johnny Cash ("I Got Stripes"), Merle Haggard ("Yesterday's Wine"), and Travis Tritt ("The Race Is On"). All of what is here has been released before, and some of it doesn't hold up. Still it's good to have it all collected as a-mostly-superlative document of Jones as a continuous power and creative influence on other vocalists. The CD is packed with session photos, and features a great set of notes by Holly George-Warren.

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