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200 Million Thousand

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Black Lips

 
200 Million Thousand
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Black Lips keep their shambling winning streak alive on their sixth killer record

  • We Say...

    As garage-punk careerists — especially ones who, on their 2003 debut album and earlier singles, started out as primal as garage-punks come — Atlanta's Black Lips are a paradox. With 200 Million Thousand, they've now got six albums under their belt. But though they opted out of punk purism years ago, restlessly working in old-timey country and oldies-pop touches, they've also stayed remarkably consistent for guys whose rock'n'roll sounds tossed-off by nature; only 2007's ostensibly live Los Valientes Del Mundo Nuevo might not be worth seeking out.

    Their latest lasts maybe a couple too many slow songs for its own good — by track twelve, the Lips feel like they're running out of gas — but mostly, it affirms their track record. They open with a Stooges groove, and before you know it you're reveling in their fuzzed-up fuckups, seeing weird Gods in the dirty backseat of their busted-down car surrounded by garden weeds: "Feel so lame/what a shame/smoke my frame/got no name." Tempos get a bit depressive at points, but even then appropriations from '60s signposts like "Love Is Strange" and "Needles And Pins" help retain punch and tune — hippie-punk blueprints might include the Seeds, early solo Roky Erickson, Redd Kross's 1987 Neurotica. Which is to say, the sort of ill-made messes that made this a schtick long before Black Lips were born. Shouldn't work for them, but somehow it does.

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