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We Say...
The 20-year-old kid who recorded Dylan's first album was promising as anything — a favorite on the coffeehouse folk circuit, with fleet fingers, an agile if rough-hewn young voice that could navigate a thousand songs he'd learned from dusty old 78s, and a major, major Woody Guthrie fixation. (The two awkward Dylan "originals" are both heavily inspired by Guthrie songs.) Bob Dylan sold poorly at the time, and it doesn't offer the slightest indication of what this particular singer would eventually become, but it's a fun, confident folk record. Listening to it in 1962, you might have thought he could get to be as big as Joan Baez someday.
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They Say...
Bob Dylan's first album is a lot like the debut albums by the Beatles and the Rolling Stones -- a sterling effort, outclassing most, if not all, of what came before it in the genre, but similarly eclipsed by the artist's own subsequent efforts. The difference was that not very many people heard Bob Dylan on its original release (originals on the early-'60s Columbia label are choice collectibles) because it was recorded with a much smaller audience and musical arena in mind. At the time of Bob Dylan's release, the folk revival was rolling, and interpretation was considered more important than original composition by most of that audience. A significant portion of the record is possessed by the style and spirit of Woody Guthrie, whose influence as a singer and guitarist hovers over "Man of Constant Sorrow" and "Pretty Peggy-O," as well as the two originals here, the savagely witty "Talkin' New York" and the poignant "Song to Woody"; and it's also hard to believe that he wasn't aware of Jimmie Rodgers and Roy Acuff when he cut "Freight Train Blues." But on other songs, one can also hear the influences of Bukka White, Blind Lemon Jefferson, Blind Willie Johnson, and Furry Lewis, in the playing and singing, and this is where Dylan departed significantly from most of his contemporaries. Other white folksingers of the era, including his older contemporaries Eric Von Schmidt and Dave Van Ronk, had incorporated blues in their work, but Dylan's presentation was more in your face, resembling in some respects (albeit in a more self-conscious way) the work of John Hammond, Jr., the son of the man who signed Dylan to Columbia Records and produced this album, who was just starting out in his own career at the time this record was made. There's a punk-like aggressiveness to the singing and playing here. His raspy-voiced delivery and guitar style were modeled largely on Guthrie's classic '40s and early-'50s recordings, but the assertiveness of the bluesmen he admires also comes out, making this one of the most powerful records to come out of the folk revival of which it was a part. Within a year of its release, Dylan, initially in tandem with young folk/protest singers like Peter, Paul & Mary and Phil Ochs, would alter the boundaries of that revival beyond recognition, but this album marked the pinnacle of that earlier phase, before it was overshadowed by this artist's more ambitious subsequent work. In that regard, the two original songs here serve as the bridge between Dylan's stylistic roots, as delineated on this album, and the more powerful and daringly original work that followed. One myth surrounding this album should also be dispelled here -- his version of "House of the Rising Sun" here is worthwhile, but the version that was the inspiration for the Animals' recording was the one by Josh White.
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| 01. |  |
You're No Good |
1:36 |
|
| 02. | |
Talkin' New York |
3:17 |
|
| 03. | |
In My Time of Dyin' |
2:37 |
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| 04. | |
Man Of Constant Sorrow |
3:05 |
|
| 05. | |
Fixin' To Die |
2:18 |
|
| 06. | |
Pretty Peggy-O |
3:21 |
|
| 07. | |
Highway 51 Blues |
2:49 |
|
| 08. | |
Gospel Plow |
1:43 |
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| 09. | |
Baby, Let Me Follow You Down |
2:33 |
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| 10. | |
House Of the Risin' Sun |
5:16 |
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| 11. | |
Freight Train Blues |
2:16 |
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| 12. | |
Song To Woody |
2:41 |
|
| 13. | |
See That My Grave Is Kept Clean |
2:40 |
|
13 Total Tracks, 36:12 Total Length
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Credits
- Bob Dylan - Guitar // Bob Dylan - Harmonica // Bob Dylan - Arranger // Bob Dylan - Keyboards // Bob Dylan - Vocals // Bob Dylan - Main Performer // John Hammond, Sr. - Producer // Mark Wilder - Remastering // Robert Shelton - Liner Notes // Stacey Williams - Liner Notes // Don Hunstein - Photography
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