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Man Of Aran

by

British Sea Power

 
Man Of Aran
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British Sea Power go even more epic, scoring a classic documentary with sweeping post-rock

  • We Say...

    Given its affinity for historic imagery, naturalist onstage décor and maritime-themed pomp, Brighton, England's British Sea Power isn't the oddest choice to record a new score for a 1934 silent film about rugged life on the Aran islands off Ireland's western coast. But having an indie band replace the film's original soundtrack of Irish folk songs with eruptive post-rock guitar orchestrations isn't exactly a documentarian's dream, either. (Imagine the collective film-buff sneer were, say, the Decemberists to re-score a classic Western.)

    The point, of course, is to put a new face on Man Of Aran, shot by American filmmaker Robert J. Flaherty, who's most famous for 1922's Nanook Of The North. Man Of Aran itself is docufiction; its footage comprises both real and staged scenes of human subsistence in the unforgiving environment of the Aran islands: splitting rocks to find precious soil, harvesting seaweed to use as mulch in potato fields, repairing boat hulls with oilcloth. British Sea Power lends brave, melodic piano motifs to images of mundane toil and it imparts ominous shudders of feedback to waves crashing against rocks, making the man-versus-nature theme abundantly clear. The soundtrack is nearly devoid of vocals, save for "Come Wander With Me," which sounds like an eerie Irish folk lament but is actually a cover of a song from a 1964 episode of The Twilight Zone. Mogwai and Sigur Ros would've killed to write music for the nautical scenes; the kinetic build-and-release of "The South Sound" and bathyspheric echo of "Spearing The Sunfish" each unleash furious floor toms and distorted guitars to highlight the hunting of the basking shark, a prehistoric-looking behemoth that resembles some fictional creature from The Life Aquatic With Steve Zissou.

    To the benefit of the stand-alone soundtrack, British Sea Power — as if to up the ante on the epic pretensions of 2008 album Do You Like Rock Music? — packs much more excitement into the music than what actually happens onscreen. Whether large-scale post-rock was ever meant for the pre-industrial Man Of Aran is debatable, but the result is not only a radical reimagining of the film but of British Sea Power itself.

  • They Say...

    Man of Aran, a 1934 docu-drama that chronicled the difficult daily lives of the inhabitants of Western Ireland's remote Aran Islands, boasts all of the elements (wind, water, sky, and barren landscapes) that make a successful British Sea Power song, so it's no revelation that the band's soundtrack for the film fits like a pair of weather-beaten oars in a pair of equally ancient hands. The direct antithesis of 2008's stadium ready Do You Like Rock Music?, the largely instrumental Man of Aran (only the folksy "Come Wander with Me," a cover culled from an obscure 1964 Twilight Zone episode, features vocals) unfolds like a wave in the middle of the ocean with its sights set on a rocky shore. With the main melody of Rock Music's "The Great Skua" as its backbone, British Sea Power's penchant for slow-building post-rock vistas and reverb-drenched bursts of guitar, trumpet, and violin has reached its logical crescendo. While not as awe-inspiring as it yearns to be, Man of Aran deftly fuses the imagery of the open water to the sound it makes when dripping out of a vintage tube amplifier. On its own, listeners may be lulled to the chilly deeps of sleep, but paired with the accompanying DVD, they'll be wiping the salt spray from their brows and pulling long rows of kelp out of their teeth.

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