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They Say...
For as great as he is, Burt Bacharach has never been much of a solo recording artist. His greatness lies as a composer, not as a performer, due largely to his gravelly voice, which has a tendency to waver out of tune, but he also has a tendency to indulge in his sleepiest MOR qualities when he's left to his own devices. Even on his 1967 solo debut, Reach Out, he emphasized easy listening, spending nearly as much time on instrumentals as he did on vocal tracks. This is a template Bacharach followed over the years, returning to it repeatedly on his increasingly infrequent solo albums. As the decades passed, he paid less and less attention to his recording career, entering a quasi-retirement after 1977's Futures. He returned 20 years later with a collaboration with Elvis Costello, Painted from Memory. This was released at the height of a Bacharach revival -- new bands were covering his songs, dropping references to his work in interviews, and Mike Myers' Austin Powers character seemed to be lifted out of a mythical swinging '60s scored entirely to Bacharach/David songs -- but despite great reviews and the fact that it was Bacharach's best album, it stiffed. Despite its poor commercial fortunes, it eased him back into being an active artist, so when he released At This Time seven years later, it didn't seem like a comeback as much as it did a belated follow-up of Painted from Memory. The album itself isn't a continuation of that splendid affair; it's a throwback to Bacharach's solo albums of the '60s and '70s. All of the press surrounding the release of At This Time emphasized Bacharach's contention that he was compelled to write these songs due to his despair at the state of the world in 2005, which gives a not inaccurate impression that this is a politically charged record. To a certain extent, that is true: "Who Are These People" is a direct assault on the Bush administration ("Who are these people that keep telling us lies/And how did these people get control of our lives...And what kind of leaders can't admit when they're wrong?") and there's a mournful quality to many of the songs here, as on the opening pair of "Please Explain" and "Where Did It Go?" Bacharach is also writing direct, confessional first-person lyrics for the first time, which is disarming yet endearing. At This Time bears many of his lush orchestral pop trademarks and several of the songs feature the presence of many interesting collaborators, including rhythm loops by Dr. Dre.
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| 01. | ![]() |
Please Explain
|
4:23 |
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| 02. | ![]() |
Where Did It Go? |
4:22 |
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| 03. | ![]() |
In Our Time
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4:09 |
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| 04. | ![]() |
Who Are These People?
|
4:18 |
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| 05. | ![]() |
Is Love Enough? |
6:09 |
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| 06. | ![]() |
Can't Give It Up |
4:40 |
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| 07. | ![]() |
Go Ask Shakespeare
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5:45 |
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| 08. | ![]() |
Dreams
|
4:14 |
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| 09. | ![]() |
Danger
|
4:31 |
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| 10. | ![]() |
Fade Away
|
3:53 |
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| 11. | ![]() |
Always Taking Aim
|
6:54 |
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11 Total Tracks, 53:18 Total Length
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Credits
- Burt Bacharach - Synthesizer // Burt Bacharach - Synthesizer // Burt Bacharach - Piano // Burt Bacharach - Piano // Burt Bacharach - Arranger // Burt Bacharach - Arranger // Burt Bacharach - Flugelhorn // Burt Bacharach - Flugelhorn // Burt Bacharach - Keyboards // Burt Bacharach - Keyboards // Burt Bacharach - Vocals // Burt Bacharach - Vocals // Burt Bacharach - Producer // Burt Bacharach - Producer // Burt Bacharach - Fender Rhodes // Burt Bacharach - Fender Rhodes // Burt Bacharach - Oberheim // Burt Bacharach - Oberheim // John Pagano - Vocals // Charlie Bisharat - Violin // Charlie Bisharat - Concert Master // Mari Tsumura - Concert Master // Denyse Buffum - Principal // Mark Cargill - Concert Master // Daniel Chase - Percussion // Daniel Chase - Digital Editing // Vinnie Colaiuta - Drums // Paulinho Da Costa - Percussion // Paulinho Da Costa - Percussion // Jim Cox - Piano // Jim Cox - Keyboards // Joel Derouin - Violin // Joel Derouin - Concert Master // Earl Dumler - Oboe // John Eidsvoog - Music Preparation // Jerry Epstein - Principal // Michael Fisher - Percussion // Armen Garabedian - Concert Master // Berj Garabedian - Concert Master // Grant Geissman - Guitar // Terry Glenny - Concert Master // Gary Grant - Trumpet // Gary Grant - Flugelhorn // Dan Greco - Percussion // Andrew Hale - Executive Producer // Dan Higgins - Clarinet // Dan Higgins - Saxophone // Dan Higgins - Sax (Alto) // Josie James - Vocals // Peter Kent - Concert Master // Gina Kronstadt - Concert Master // Warren Luening - Trumpet // Warren Luening - Flugelhorn // Miguel Martinez - Principal // Dave O'Donnell - Engineer // Don Palmer - Concert Master // Mike Pela - Engineer // Ted Perlman - Bass // Ted Perlman - Programming // Ted Perlman - Synthesizer Programming // Barbara Porter - Concert Master // Michele Richards - Concert Master // Jimbo Ross - Principal // Rob Shrock - Synthesizer // Allen Sides - Engineer // Allen Sides - Mixing // Neil Stubenhaus - Bass (Electric) // Sally Stevens - Vocals // Robert Stringer - Executive Producer // Donna Taylor - Vocals // Evan Wilson - Viola // Margaret Wooten - Concert Master // Alan Yoshida - Mixing // Shari Zippert - Concert Master // Susan Chatman - Concert Master // Karen Elaine Bakunin - Principal // Suzie Katayama - Music Preparation // Suzie Katayama - Principal // Mario de Leon - Concert Master // Ron Folsom - Concert Master // JoAnn Tominaga - Production Coordination // JoAnn Tominaga - Strings Contractor // Mike Elizondo - Bass Programming // Olaf Heine - Cover Photo // Jeff Burns - Engineer // Darrin McCann - Principal // Greg Burns - Engineer // Printz Board - Drum Loop // Cameron Patrick - Concert Master // Denaun Porter - Drum Loop // Denaun Porter - Bass Programming // Billy Childs Trio - Wurlitzer // Sue Main - Assistant // Terry Christiansen - Double Bass // Dmitri Kourka - Principal // John Daversa - Trumpet // John Daversa - Flugelhorn // Andrew Duckles - Principal // Dan Tobin Smith - Principal
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