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Hell's Winter

by

Cage

 
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Hell's Winter
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Avg: 4.0 (99 ratings)

  • We Say...

    Hell's Winter was highly anticipated and exceeded all expectations with outstanding production from El-P, RJD2, DJ Shadow, Blockhead and Camu Tao. Cage also recruited some indie rock and punk legends, like Jello Biafria on "Grand Old Party Crash", Darryl Palumbo (Glassjaw/Head Automatica) on "Shoot Frank" and Yo La Tengo's James McNew drops some guitar licks on a track or two.

    Improving on his excellent debut, Cage has toned down the drug and suicide talk for more introspective topics, like his childhood relationship with his father in "Stripes" or an old flame in "Scenester" and the eerie "Subtle Art of the Break Up Song." He also takes some time to address his label drama with Eastern Conference on "Public Property" and "Left It To Us" features the remaining Weathermen gang El-P, Aesop Rock, Y@k Ballz and Tame One. This is the album Def Jux and Cage fans have been dreaming of, and it does not disappoint.

  • They Say...

    Cage's past is mostly hardcore and genuinely underground, but his style has bordered on shock for shock's sake, and with the Smut Peddlers he was especially prone to going off the deep end of garish and sleazy. That's why it's a little surprising this joint lands on Definitive Jux, a label that prides itself on being for real. They've thrown the big names at him too, not only El-P and RJD2, but DJ Shadow and the legendary Jello Biafra. Shadow and Biafra participate in the awesome and caustic "Grand Ol Party Crash" with samples from the classic video game Sinistar and casts Biafra as George W. Bush. Biafra's transforming of Bush into the über-manic Frank from the film Blue Velvet would be the towering highlight of the album if it weren't for the wealth of brilliant, introspective tracks that take longer to sink in, but are twice as rewarding. Cage spills an ocean of venom on his absent father on "Stripes," which wryly plays off the fact his father shares the name of movie star Bill Murray. The chilling highlight "Public Property" acknowledges Cage's new, truer style of writing to longtime listeners, and while you can say he's been down this bleak road before and Hell's Winter is just his Movies for the Blind album with a better guest list, his prior horrorcore writing seems a silly kind of scary compared to the vivid despair here. Producers El-P, Camu Tao, and RJD2 all offer dense concoctions that are perfectly suited to the album's angst, and the whole affair is tight with no tolerance for filler. If he uses his traumatic upbringing one more time, then let the haters have at him, but besides being another reason to love the risk-taking Definitive Jux family, Hell's Winter improves on every Cage release that came before it and offers the most compelling insight into the tortured rapper yet.

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