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A Country Legacy 1930-1939

by

Cliff Carlisle

 
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A Country Legacy 1930-1939

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Avg: 3.5 (7 ratings)

Q: Why are there steel guitars in country music?
A

  • We Say...

    : Naked ladies. A huge fad for Hawaiian music spread through the United States in the '20s, and Hawaiian bands — with scantily-clad hula dancers — were a big draw in vaudeville and tent shows. As a result, a lot of people started using slides on their guitars, and Cliff Carlisle was one of the first. His career was overshadowed by Jimmie Rodgers', but he was an important performer in his day, and this collection shows why: bluesy, semi-risqué songs alternate with sentimental and religious numbers — something, as they used to say, for the whole family!

  • They Say...

    These recordings show Cliff Carlisle to be more or less a contemporary of the great Jimmie Rodgers, albeit a far more obscure one. There are definite comparisons musically, however: Carlisle also used the yodel as part of his vocal repertoire, as well as bringing in lap steel -- more often than Rodgers, on the evidence presented, and playing it himself (a custom-built National Resophonic, for those who like exactitude). With 83 tracks recorded over a period of nine years, Carlisle was certainly prolific, and you have to wonder why he wasn't better known -- the man could certainly play and sing, even if some of the material wasn't always up to scratch. However, it's a set that reveals its joys, however mad they can be (listen to the falsetto chorus on "Shanghai Rooster Blues," for example). Like many country artists from this formative period, his music and lyrics easily straddle the amorphous border between country and blues, with Hawaiian touches coming in quite often (not surprising, given the fad for Hawaiian music at the time). It's an insight into one of country music lesser-known pioneers -- and one who deserves more credit.

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    Album: A Country Legacy 1930-1939

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