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Everything That Happens Will Happen Today

by

David Byrne & Brian Eno

 
Everything That Happens Will Happen Today
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Avg: 3.5 (51 ratings)

After 25 years, Byrne and Eno collaborate again

  • We Say...

    Review by Douglas Wolk

    Elvis Costello once wrote about collaborating with Brian Eno that he "really admired Brian's ruthless and creative use of the erase button." Both Eno and David Byrne do their best work when they've got a creative foil — someone they clearly want to impress, who can offer them the gift of erasure as well as the gift of addition — and their first collaboration in a quarter-century is a return to their curious, push-and-pull synergy, with some of the most solidly crafted songs Byrne has sung since the end of Talking Heads.

    Still, anyone expecting it to sound like their previous collaboration, 1981's epochal sound-collage My Life in the Bush of Ghosts, is likely to be surprised: Everything presents eleven straight-ahead rock songs, with Byrne singing and Eno mostly providing backing tracks for him, along with the occasional liquid-milk-chocolate backup vocal. (Eno's old compatriots Robert Wyatt and Phil Manzanera put in cameo appearances, too.)

    In fact, if there's any previous Byrne/Eno collaboration that Everything That Happens Will Happen Today takes after, it's their first, Talking Heads' 1978 album More Songs About Buildings and Food. As on that record, the songs here are very simple on their surface, but it's the kind of simplicity that comes from stripping down something much more complicated.

    Byrne has talked about how Everything That Happens was inspired by gospel songwriting, and that's true of the songs' tone of hope in despair and emphasis on phrasing more than their structure and sentiments. There are hints of gospel in Byrne's lyrics here, like the line "chains and bars but I am still free" in "Life Is Long"; most of them, though, circle around thoughts of mortality and aging. The album's highlight is "Strange Overtones," a bubbling dance song that obliquely addresses Eno and Byrne's creative process and the worry that music's fashions have passed them by. And the title track is a sort of secular hymn, a profession of faith from which everything beyond what's plainly evident has become subject to the erase button.

  • They Say...

    Review by Thom Jurek, All Music Guide

    The musical reunion between David Byrne and Brian Eno comes with a fair amount of baggage. After all, they produced some of the greatest records in rock history: the trio of Talking Heads records Eno worked on -- culminating in Remain in Light -- followed by the duo's My Life in the Bush of Ghosts, where all manner of funky beats and freaky sampladelic rhythms were wedded to Pentecostal exorcisms and African ceremonial bush chants. Everything That Happens Will Happen Today is a nearly 180-degree turn from the duo's collective musical past. These 11 songs are loopy pop tunes that wed Byrne's strange hearing of gospel and folk to Eno's continually evolving rhythmic and electronic palette -- they refer to it as being "folk-electronic-gospel." Before any cultural connotations of the word "gospel" take hold, be aware that this is mostly in simple structures and an optimistic viewpoint rather than its doctrinal components. Any spiritual messages are purely subjective and not -- as some rather academic agenda-minded evangelicals would have you believe -- having to do with religion. Eno's compositional frameworks are all written in major keys and Byrne's poetically funny, sophisticated lyrics express possibility and hope in the middle of cultural darkness. While it's clear that the emotional component is shared between the two principals, this is far from "message" music. The set opens with "Home." Strummed acoustic guitars and drum loops textured by sonic wonkery introduce an elegantly simple melody where Byrne, at his full-throated best, sings: "The dimming of the light/Makes the picture clearer...I memorized a face so it's not forgotten...Come back anytime/And we'll mix our lives together/Heaven knows what keeps mankind alive/Every hand -- goes searching for its partner in crime." Brokenness and paradox are also addressed: "Home where my world is breaking in two/Home with the neighbors fighting/Home -- were my parents telling the truth?" Likewise, the title track -- with its warm, liquid guitars (à la Daniel Lanois), out-of-the-ether sonic architecture, and Byrne's lyric coming from both dream and reflection -- is slower and less jaunty, but poetically moving: "Oh my brother, I still wonder, are you all right/And among the living, we are giving/All through the night...." The backing choral voices give the track its "church" feel, but the message is more human and existential than divinely inspired. Another winner is "Life Is Long," which evokes remembrance as the continuation of the chain of human events. Its horn section touches on soul and rhythm & blues, but is blanched and diluted wonderfully. The only track that even (consciously) attempts the rhythmic complexity of anything on My Life in the Bush of Ghosts is "Poor Boy," which is cosmic science fiction white-boy funk at its best. It's a warning against following the established order and rampant, empty materialism for their own sake -- its guitar riff comes straight outta the Rolling Stones' "Brown Sugar." Everything That Happens Will Happen Today is, despite the long odds, a truly inviting, musically adventurous, and mature musical statement. It reveals in spades how willing artists are capable of redefining themselves when they refuse to take themselves too seriously. This is unfettered joyful listening, and in its own small way, even profound.

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