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Avg: 4.0 (51 ratings)
- Date Released: October 7, 2008
- Genre: Alternative/Punk
- Label: 4AD / Beggars Group
Fuzzy, narcoleptic delights from Grizzly Bear side-project
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We Say...
Department of Eagles' debut album, 2003's whimsical-yet-sharp The Cold Nose, was a quiet pleasure scarcely noticed outside of a handful of indie-electronica cognoscenti. Five years on, this eclectic follow-up deserves a wider audience.
The band is essentially a side-project of Grizzly Bear singer-songwriter Daniel Rossen, who developed its dreamy songs with cohort Fred Nicolaus. Ear Park was a nickname the pair gave to a park they used to visit in Los Angeles, and the album's mood is a pensive, sepia-tinged nostalgia, suffused with a weary melancholy and shot through with intimations of mortality.
This is a late-night record, spectral yet immediate, possessed of a sparse, urgent grace. Folktronica essays such as "No One Does It" and "Around the Bay" suggest Grandaddy or Band of Horses if their good ole' boy bonhomie were replaced by an alien shimmer. The gently knowing "Teenagers," a sleek-yet-vulnerable pop song, unfolds at some blessed point halfway between Elliott Smith's doomed confessionals and Beck's post-modern trickery, while Nicolaus and Rossen's multi-tracked, keening vocals ache with insatiable, unspecified yearning throughout. Low profile or no, In Ear Park is a triumph. -
They Say...
Department of Eagles' work from when they were still known as Whitey on the Moon UK was repackaged so much that when In Ear Park was released, it felt like the band had a much bigger discography than they actually did. The Whitey on the Moon UK LP (which became The Cold Nose after the band's name change) was based on the same core set of songs, give or take some bonus tracks, that Daniel Rossen and Fred Nicolaus recorded in college with their friends as their only intended audience. In Ear Park is Department of Eagles' first full-fledged, self-contained album, and it shows just how far the pair has come since their early days. Their playful, detailed approach to crafting sounds remains, but Rossen's stint in Grizzly Bear helped hone his songwriting skills, and life experiences enriched them: In Ear Park was inspired by his childhood, dedicated to his late father, and named after what he called one of his favorite places to go as a boy. The band frames these very personal observations in experimental, symphonic/acoustic/electronic pop, using its grandiosity to convey the power of memories. "In Ear Park"'s rippling guitars conjure up a far-off, sun-dappled yesterday, and the way its backing vocals and waltz rhythms swell capture the way a memory can completely immerse someone. Van Dyke Parks' widescreen sound is a major influence, especially on the excellent "Teenagers," which, with its elegantly woozy guitars, pianos, woodwinds, and '20s style megaphone vocals, feels nostalgic for a time much longer ago than when either Rossen or his father would have been teenagers. Similarly, Rossen's dreamy warble of a voice sounds older than his years, particularly on "Herringbone," where he sings "when you are gone, you are gone." The oddness of his vocals is a perfect fit for the dazzling amount of stuff going on in these songs -- which, not surprisingly since Grizzly Bear's Chris Taylor and Chris Bear play on it, recalls Rossen's work with his other band. "Phantom Other" builds from simple vocals and acoustic guitar to bubbling keyboards, massive guitars, and drums, while "Classical Records" incorporates footsteps, toy piano, and double bass into its darkly trippy swirl. In Ear Park's sonic flights of fancy are impressive in their own right, but even more so on the most tightly structured songs, such as the haunting standout "No One Does It Like You," a bouncy, wistful homage to '60s pop that's so yearning, it seems to be nostalgic for nostalgia. The album doesn't finish as strongly as it began -- "Waves of Rye" and "Therapy Car Noise" feel formless compared to In Ear Park's first half -- but this album is a big step forward for Department of Eagles, a playground of sound that celebrates the pull of memories and music.
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| 01. |  |
In Ear Park |
4:03 |
|
| 02. | |
No One Does It Like You |
3:57 |
|
| 03. | |
Phantom Other |
4:41 |
|
| 04. | |
Teenagers |
3:06 |
|
| 05. | |
Around The Bay |
5:07 |
|
| 06. | |
Herringbone |
3:19 |
|
| 07. | |
Classical Records |
2:50 |
|
| 08. | |
Waves Of Rye |
4:23 |
|
| 09. | |
Therapy Car Noise |
1:51 |
|
| 10. | |
Floating On The Lehigh |
6:07 |
|
| 11. | |
Balmy Night |
2:54 |
|
11 Total Tracks, 42:18 Total Length
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Credits
- Jeff Saltzman - Engineer // Steve Hall - Mastering // Nat Baldwin - Double Bass // Nat Baldwin - Group Member // Christopher Bear - Drums // Christopher Bear - Sampling // Christopher Bear - Group Member // Daniel Rossen - Banjo // Daniel Rossen - Guitar // Daniel Rossen - Piano // Daniel Rossen - Arranger // Daniel Rossen - Vocals // Daniel Rossen - Sampling // Daniel Rossen - Group Member // Chris Taylor - Flute // Chris Taylor - Bass (Electric) // Chris Taylor - Producer // Chris Taylor - Engineer // Chris Taylor - Woodwind // Chris Taylor - Mixing // Chris Taylor - Effects // Chris Taylor - Group Member // Amelia Bauer - Photography // Fred Nicolaus - Percussion // Fred Nicolaus - Piano // Fred Nicolaus - Arranger // Fred Nicolaus - Vocals // Fred Nicolaus - Sampling // Fred Nicolaus - Group Member
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