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- Date Released: January 20, 2004
- Genre: Hip-Hop/R&B
- Style: Hip-Hop
- Label: Matador
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We Say...
Boy In Da Corner accomplished many things all at once — mainstreamed the "grime" movement of London clubland; proved that rapping wasn't exclusively an American preserve; announced the arrival of a fully-formed pop icon, wise well beyond his 19 years.
Dizzee Rascal's debut is relentless — the East Londoner raps at a frantic pace, whether his subject matter is urgent ("I Luv U," about teenage romance gone way, way wrong) or more lackadaisical ("Sittin' Here," in which the young MC muses on the twists and turns of his own imagination). "Round We Go" charts a dysfunctional relationship more accurately than Dr. Phil, and "Brand New Day" laments the violent turn in London street life: "We used to fight with kids from other estates/ Now 8-millimeters settle debates." As a producer, Dizzee is a truly gifted autodidact. He made much of the music for Boy... at his home studio, but the combination of ferocious dark-step and pealing digital synths doesn't show any seams. Before Jay-Z got around to it, Dizzee resurrected Billy Squier on the riotous anthem "Fix Up, Look Sharp." On the skittish "Vexed" (the bonus track on the album's American version), Dizzee details a troubled childhood and a life of fame that might be even more fraught: "At night I get a little less sleep than you think/ I feel more stress than you see." Most artists have difficulty capturing the scale of the universe over a career's worth of albums; Dizzee Rascal does it in just one song. -
They Say...
Often teetering on the brink of either cracking a smile or bursting into tears while delivering his boastful, wistful, and dread-filled rhymes, the hormonally charged voice of East London's Dizzee Rascal can be instantly singled out after the first introduction. Birthed by U.K. garage and seasoned through pirate radio, the terrain Dizzee carves out remains worlds apart from that of Ms. Dynamite and the Streets, two MCs who have come from a fractious-as-ever scene -- one that Dizzee's apart from as much as he's a part of -- with similar fanfare. And despite comparisons to 2Pac and 50 Cent that won't cease at any point in the foreseeable future, the parallels drawn to stateside rappers haven't often looked beneath the surface. If he were (mis)placed in a pool of U.S. MCs, there'd be few comparisons that would make full sense. The fact that Dizzee's from England is an obvious factor; his accent and own cultural slang will be an instant deal-breaker for most of those who have hunted for Makaveli bootlegs. From a production standpoint, we're talking about splayed-out beats and deflated basslines that, heard through a state-of-the-art stereo, might as well be blaring from the ravaged stock system of a 1974 Dodge Dart. If there are any likenesses, the dense production work -- carried out mostly by the MC on his own -- is somewhat akin to prime Bomb Squad, if only because no level of familiarity can acclimate the ears completely. Get lost in the swaying chime melody of "Brand New Day," the low-slung industrial-punk grind of "Jus a Rascal," or the stunted gait of "Do It," and risk missing out on all of the deeply hidden inflections that help make the whole album so unique. Despite the grime, the violence, the conflicted romantic entanglements, and the jagged productions that characterize the album, the moment that hits hardest is also the most fragile: "Do It," with a resigned line that goes "If I had the guts to end it all, believe -- I would," begs for misinterpretation, so it should be pointed out that it (and the album as well) draws to a close with "You can do anything," an encouragement that holds much weight in its context. Startling, tirelessly powerful, and full of unlimited dimensions, nothing could truly weigh down this debut -- not even a Mercury Prize. [The U.S. version, released through Matador half a year after the original XL U.K. release, wisely added the B-side "Vexed."]
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| 01. |  |
Sittin' Here |
4:05 |
|
| 02. | |
Stop Dat |
3:40 |
|
| 03. | |
I Luv You |
4:05 |
|
| 04. | |
Brand New Day |
4:00 |
|
| 05. | |
Z Far Feat. Wiley |
3:07 |
|
| 06. | |
Fix Up, Look Sharp |
3:45 |
|
| 07. | |
Cut 'Em Off |
3:54 |
|
| 08. | |
Hold Ya Mouf Feat. God's Gift |
2:53 |
|
| 09. | |
Round We Go |
4:13 |
|
| 10. | |
Jus A Rascal |
3:28 |
|
| 11. | |
Wot U On |
4:50 |
|
| 12. | |
Jezebel |
3:36 |
|
| 13. | |
Seems To Be |
3:46 |
|
| 14. | |
Live O |
3:34 |
|
| 15. | |
Do It |
4:05 |
|
| 16. | |
Vexed |
4:09 |
|
16 Total Tracks, 61:10 Total Length
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Credits
- Ben Drury - Cover Design // Ben Drury - Logo Design // Armour - Vocals (Background) // Caramel - Vocals // Dizzee Rascal - Main Performer // Gareth Bayiss - Sleeve Design Assistant // Dean Chalkley - Sleeve Photo // Chubby Dread - Producer // Claire Cottrell - Vocals // Nick Detnon - A&R // Nick Huggett - Artist Coordination // God's Gift - Performer
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