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Avg: 3.5 (11 ratings)
- Date Released: February 19, 2008
- Genre: Alternative/Punk
- Label: Menlo Park Recordings / Virtual
Dreamy lo-fi artists explore the unexpected.
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We Say...
Flying creates music from a pile of strange noises. Mangled keyboards marry stressed-out drum kits, broken electronics momentarily reanimate — all in the span of a single song. Faces of the Night hews to an "anything goes" aesthetic; jangly album opener "One-Eyed Son" builds from a simple drum beat and rusty guitar chime to a tense chorus, approaching dissonance then falling back on itself. From the funk-infused "Stains" to the bassy, effects-laden kicker "Firetruck," the album's one constant is the sweet, overlapping harmonies of Sarah Magenheimer and Eliot Krimsky. Their vocals are the most prevalent instrument, instilling the album with a dreamy atmosphere. Referencing corporate parking lots, broken hearts and burning stars, the lyrics weave together romantic images into a textural canvas that further contribute to the ethereal mood.
The album feels spontaneous, embracing the mistaken note and accidental background noise as materials in a larger hand-crafted work. The hiss of the microphone becomes an integral element. The music moves and changes, approaching breaking points, then pulling back together in a solid mass. The core of the album is built upon simple, catchy grooves, making Faces approachable to those that would otherwise be put off by its frequent experimentation. Occasionally, the songs are almost danceable -- albeit in an arms-punching-air, feet-kicking-invisible-soccer-balls sort of way. It's in these moments that Flying sneaks in eerie sound effects, or reverses directions. It's this desire to try something different that makes Faces an interesting listen. By the time the upbeat "Morning Song" closes the album, you've learned to simply settle in and anticipate whatever lies next. -
They Say...
Experimental yet cute, fantastical, and freewheeling, Flying's Faces of the Night feels like it comes "from a world that's hidden in a cloud," which they sing about on "Double-Hearted Clown." The band's whimsical sound is more focused this time than it was on Just-One-Second-Ago-Broken Eggshell, but Flying's outbursts and sweetly spacy moments still recall the Curtains and former tourmates Deerhoof, especially on "Body Bent," which pairs little-girl vocals with bashed-out rhythms. Noise rock, folk-pop, and funk are all grist for Flying's musical mill, and the wah-wah guitar on "Stains" and the loping bassline that pins down "Firetruck"'s saxophone and synth workouts make Faces of the Night occasionally feel like an extremely lysergic children's album from the '70s. Sometimes things get too precious: "A Cloud in Doubt" and "Double-Hearted Clown" are almost too sweet and fanciful for their own good. While Flying's childlike moments are sometimes a weakness, more often than not they're the band's greatest strength, particularly on some of Faces of the Night's more mysterious songs. "Fear of Flying" is a standout, condensing all the fear and hope of being someone small who wants to become someone great into just two and a half minutes. "Draw It in the Dark" owes its dreamlike haze to the immediately recognizable sound of the Optigan, and "Morning Song" just might be the cheeriest song ever written about the world's eventual end. Flying sometimes feel lost in their own elliptical orbit, but their world is charmingly strange and ultimately peaceful. Giving their music just a little more clarity wouldn't remove any of the band's mystery -- if anything, it would just add to the wonder that Faces of the Night already has in abundance.
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11 Total Tracks, 34:33 Total Length
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Credits
- Joe Lambert - Mastering // Jessica Ruffins - Engineer // Bill Skibbe - Engineer // Sara Magenheimer - Producer // Sara Magenheimer - Performer // Sara Magenheimer - Artwork // Eliot Krimsky - Producer // Eliot Krimsky - Performer // Eben Portnoy - Producer // Eben Portnoy - Performer // Eben Portnoy - Artwork
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