eMusic

Start Your Trial

Ringer

by

Four Tet

 
Ringer
view larger image View Larger

Rate it!

Avg: 4.0 (29 ratings)

One of the '00s' most inspired and unpredictable electronic musicians reinvents himself again

  • We Say...

    Let's just get it out of the way: Kieran Hebden, aka Four Tet, is one of the '00s' most inspired and unpredictable electronic musicians. He displayed more than mere promise on the early albums Pause, Rounds and Everything Ecstatic, all of which set a new standard for the hazy, sample-heavy sound at the intersection of hip-hop, IDM and indie. But a funny thing happened: just as "folktronica" seemed to be losing its pastoral glow, Hebden disappeared down the rabbit hole and discovered a whole new world of sound. With his duo work with legendary jazz drummer Steve Reid beginning to cement his name in improv circles and his dancefloor chops honed via burgeoning DJ bookings, Hebden chose 2008 to quietly reinvent himself with Ringer, an unassuming EP that delved into the language of techno.

    Just four tracks and 30 minutes long, Ringer looks like a footnote to a career made of much more fulsome statements. But sink inside and you're treated to an album that sounds, genuinely, like no other; while the 4/4 beats, disco arpeggios and bleeping sequences are familiar from nearly two decades of techno tradition, Hebden puts his own unmistakable spin on the material. Having learned to really play his laptop — expressively, that is, and not as simply a glorified tape recorder — Hebden goes about sculpting four long, hypnotic tracks out of white-hot drum machines, percussion samples and off-kilter little keyboard riffs. In terms of his peers, it comes closest to the unstable terrain mapped by Chilean minimal maverick Ricardo Villalobos, but Four Tet's sound is even more warped; despite the ever-present forward momentum, it feels like he's kluging his loops together with twine and chewing gum. The results aren't so much messy — Hebden's touch is remarkably economical — as gracefully smudged, with loops tangling at the ends and burbly synthesizers making contact with a wet, soapy slap. It's lush, invigorating stuff, and likely to look, with a few years' perspective, like a decisive turning point in Four Tet's career: an EP that earned "important album" status.

  • They Say...

    Trying to predict a future direction for Four Tet after Kieran Hebden's time recording with everyone from Steve Reid to his old trio Fridge shouldn't even have been attempted, but the Ringer EP is still a big surprise. Sounding like it was recorded ten or sometimes 20 years earlier than it actually was, the four-tracker reconciles Hebden's mesmerizing early Four Tet material with the sound of IDM circa the early '90s and, also, the movie soundtrack style of the '80s popularized by Tangerine Dream for Risky Business and John Carpenter for Halloween and Escape from New York. The title track is the best, where Hebden spends ten minutes interweaving a dizzying array of changing parts over a plodding four-four beat.

  • You Say...

    Write a Review

    I would like to say...

    Artist: Four Tet

    Album: Ringer

    Review Title: (maximum 50 characters)

    Your Review: (maximum 1,000 characters)

    Cancel

    Please keep your comments to the recordings themselves, and be courteous and respectful. Thanks! For further info, read our Community Guidelines.

The indie iTunes — Hardcore music fans are migrating to eMusic, the iTunes Music Store's cheaper, cooler cousin.


Rolling Stone
Start Your Trial

Recently Viewed

© 1998-2009 eMusic.com Inc. eMusic and the eMusic logo are either registered trademarks or trademarks in the USA or other countries. All rights reserved.

All Music Guide © 1992 - 2009 All Media Guide, LLC
Portions of content provided by All Music Guide, a trademark of All Media Guide, LLC

Facebook®, YouTube, Flickr™ and Wikipedia® are registered trademarks of their respective owners, Facebook Inc., Google, Inc., Yahoo! Inc. and Wikimedia Foundation, Inc. Neither Facebook Inc., Google, Inc., Yahoo! Inc. nor Wikimedia Foundation, Inc. are partners or sponsors of eMusic. eMusic uses the Facebook, Flickr, YouTube and Wikipedia API but is not endorsed or certified by Facebook, Flickr, YouTube and Wikipedia. eMusic does not pre-screen, monitor, endorse nor assume any liability for websites, contents, products, services or claims made by Facebook, YouTube, Flickr™ and Wikipedia®.