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Avg: 4.0 (194 ratings)
- Date Released: July 23, 2008
- Genre: Alternative/Punk
- Label: XL Recordings
The Friendly Fires keep the nu-rave flame burning.
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We Say...
The sleepy suburb of St Albans in Hertfordshire is hardly a hotbed of English rave culture. But Ed McFarlane, Edd Gibson and Jack Savidge have gone some way towards putting their humble corner of the Home Counties on the musical map, releasing a series of fashionably danceable, nu rave EPs and singles over the last two years. Their short, sharp, ten-track debut album largely consists of re-recorded versions of those songs; a disappointment, perhaps, for established Friendly Fires fans. But FF virgins will find plenty to admire — particularly if the likes of Klaxons and Midnight Juggernauts have left you begging for more radio-friendly, '80s-referencing indie-dance.
Friendly Fires opens with "Jump In the Pool," in which Bloc Party/Kate Nash/Sam Sparro producer Paul Epworth blends the band’s funkier instincts with their penchant for shoegaze and dream pop. The album’s highlights — "In the Hospital," "Lovesick," "Photobooth," "Paris" — head straight for the hips, as McFarlane’s lightweight vocals and lyrics are (thankfully) overwhelmed by tough, percussive disco beats and punchy art-funk bass. It’s the trio’s natural flair for grooves that makes Friendly Fires an entertaining contribution to the dance-rock revival. -
They Say...
On their self-titled debut, Friendly Fires serve up a very slick -- and very appealing -- mix of synth pop and dance-rock with unexpected nods to shoegaze that suggest the hard-edged, nu-rave sound might blur into something more interesting. The band crafts a big, hooky sound that loves melody, rhythms, and choruses equally, especially on "Jump in the Pool," which is just as fun and refreshing as its title suggests (the tropical-sounding drum breaks don't hurt), and "In the Hospital," a sleek track that sounds like the D.F.A. collaborating with Franz Ferdinand on an especially poppy day. For the rest of Friendly Fires, the band switches between these two approaches, and while they do a pretty good job of bringing the punk-funk, particularly on "Lovesick," this is very familiar territory that the band doesn't embellish much -- and "On Board" and "Photobooth" narrowly avoid coming off as parodies of that sound. Friendly Fires are more convincing, and more intriguing, when they give into their lush pop side. "Strobe"'s aptly shimmering guitars, flickering keyboards, and almost ridiculously pretty melody nod to M83 and New Order, and the band saves the best for last with "Ex Lover," which pits steep, tone-bending guitars and sleepy vocals against brisk dance beats, suggesting what Chapterhouse might have sounded like if they were actually influenced by house. As it stands, Friendly Fires seem to be influenced by dream pop and whatever trend is big in dance music -- "Skeleton Boy"'s bleepy keyboards borrow from the 8-bit craze -- but when the results are as fun as this album is at its best, it's hard to slam them too much for being derivative; better just to enjoy Friendly Fires as fleeting fun.
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| 01. |  |
Jump In The Pool |
3:37 |
|
| 02. | |
In The Hospital |
3:52 |
|
| 03. | |
Paris |
3:55 |
|
| 04. | |
White Diamonds |
4:13 |
|
| 05. | |
Strobe |
3:06 |
|
| 06. | |
On Board |
3:43 |
|
| 07. | |
Lovesick |
3:55 |
|
| 08. | |
Skeleton Boy |
3:34 |
|
| 09. | |
Photobooth |
3:24 |
|
| 10. | |
Ex Lover |
3:51 |
|
10 Total Tracks, 37:10 Total Length
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Credits
- Jimmy Robertson - Engineer // Cenzo Townshend - Mixing // Rebecca Willis - Flute // Richard Russell - A&R // Rich Costey - Engineer // Rich Costey - Mixing // Kevin Metcalfe - Mastering // Paul Epworth - Producer // Paul Epworth - Mixing // Edward Gibson - Group Member // Jon Beasley - Artwork // Jon Beasley - Design // Philip Morais - Management // Jack Savidge - Group Member // Hannah Overton - A&R // Jake Painter - Trumpet
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