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I Was A King

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I Was A King

 
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I Was A King

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Avg: 3.5 (39 ratings)

Norwegians give Ride, MBV, and Teenage Fanclub a fresh coat of paint

  • We Say...

    Review by Adrienne Day

    Centuries ago, the Vikings spilled forth from Norway and conquered much of Europe. I Was A King, one of Norway's newer musical exports, seems intent on similarly aggressive foreign policy. Their self-titled album — the band's sophomore release, recorded in Norway and Brooklyn with an assist from the Ladybug Transistor's Gary Olson and Sufjan Stevens — annexes several decades of British alt-rock, running grungy Teenage Fanclub riffs through a dream-landscape charted by My Bloody Valentine. With such monumental bands as touchstones, some of the songs seem so familiar you can almost predict the swooping chordal shifts and melodic overlays. But the group — frontman Frode Stromstrad, Emil Nikolaisen of Serena Maneesh on bass and drums, and guitarist/vocalist Anne Lise Frokedal — gives each song a lovingly applied fresh coat of paint, such that the Ride-inspired "Golden Years" and a cover of Larry Norman (AKA the "grandfather of Christian Rock")'s 1982 psych-rock weeper "Hard Luck Bad News" feel like they could've been minted in the same year and the same place. And King squeezes 15 tracks into 31 minutes, unusual for songs that generally move at a nu-gaze pace, which keeps the mix exciting and fresh.

  • They Say...

    Review by Tim Sendra, All Music Guide

    Norway's I Was a King are children and students of indie rock. If you were to closely examine their DNA you'd find equal elements of Amer-indie rock à la Dinosaur Jr., U.K. and U.S. shoegaze as perpetrated by Ride and the Lilys, jangling chord-change rock like the kind Teenage Fanclub basically perfected, and noise pop that's equal parts dreamy My Bloody Valentine, and classic rock Medicine influenced. On their second album, I Was a King, the core duo of guitarist/vocalist/songwriter Frode Stromstead and guitarist/vocalist Anne Lise Frokedal are joined in their pursuit of the guitar pop nirvana by Serena Maneesh's Emil Nikolaisen (himself no slouch at synthesizing similar strands of indie rock). The album was recorded in Brooklyn with Ladybug Transistor's Gary Olson producing as well as in their native Norway and it comes very close to escaping the shadows of the giants they borrow so liberally from. You'd think a band that sticks to the playbook so closely would have no chance to create anything worth lauding, much less listening to, but in this case anyway you'd be mistaken. How do they do it? A couple ways, really. First of all, and most importantly, are the songs Stromstead wrote for the album. Their soaring melodies, hooky choruses, and ear-catching bridges make their modest thievery sound fresh. As sung in Stromstead and Frokedal's sweet voices, sometimes they even take flight as on "Not Like This" or "A Name It Hurts to Say." It also helps that the group steal from so many different places, it keeps things varied. There's nothing more suspect or potentially boring than a band that can only get it together enough to absorb one influence. I Was a King care enough to steal from many of the very best. And they don't try to hide it either, which is another point in their favor. Check the chiming, extremely TFC-sounding "Norman Bliek" (pronounced Blake) for proof of that. Maybe by the time the next album rolls along it might be time to stretch a bit and get away from the sound they've cobbled together, but for now I Was a King sounds just about right to anyone who is a fan of the history of noisy guitar pop of the last 20 years.

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