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A Year in the Wilderness

by

John Doe

 
A Year in the Wilderness
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Avg: 4.0 (66 ratings)

A stellar example of documentary-style fiction

  • We Say...

    A particular character shows up in most of these songs. He's sensitive and romantic one moment, brusque and impatient the next; he's burned a few bridges and blown relationships, but he works hard to atone for his mistakes. Push him too far, though, and he descends into violence; afterwards he wanders around, bleakly hoping for redemption. No one's naming names, but let's just say John Doe knows the guy well.

    Doe's sixth solo album is a stellar example of documentary-style fiction: these twelve rough-hewn songs feel like postcards from a hard life lived, in which the stories set the music's tone. The couple resigned to driving each other nuts in "The Golden State" — Kathleen Edwards plays the love interest — gets clanging rock riffs, a pounding headache of a bassline and a euphoric chorus that transcends it all. The tender appeal of "A Little More Time" enjoys some pedal steel and acoustic guitar, while the drastic bad deeds of "The Meanest Man in the World" have the hollow echo of a blood-soaked folk ballad. Doe's nondescript voice displays new expressive depths; when he delivers the line, "If you need an old-fashioned cry, I'm the guy," macho ruggedness melts into guileless sincerity.

    From start to finish, A Year in the Wilderness is eloquent, inspired and uncontrived. If Bob Dylan or Neil Young made an album this good, it would win a Grammy; longtime antihero Doe will just have to settle for the continued respect and dedication of fans smart enough to latch onto his bandwagon.

  • They Say...

    While there's no arguing that John Doe is a gifted songwriter and has one of the finest voices in the great state of California, since he made his solo debut with Meet John Doe in 1990 he seems to have been struggling to create a musical identity that's separate from his superb work with X. While it falls several notches short of his best work, A Year in the Wilderness suggests that he's finally been able to create an eclectic but emphatic persona that's all his own. While "The Golden State," Doe's duet with Kathleen Edwards, recalls some of X's more measured and soulful moments (more so than "Darling Underdog," which Doe wrote with his X collaborator Exene Cervenka), most of the rest of the album settles into a groove that suggests blues-infused folk-rock that isn't afraid to get noisy around the edges, aided by the tough, gutsy guitars of Dave Alvin, Dan Auerbach and Chris Bruce. While Doe can and does rock out on A Year in the Wilderness -- most effectively on "Lean out Your Window" and "Hotel Ghost" -- he seems most comfortable easing back on mid-tempo material like "A Little More Time," "Big Moon" and "The Meanest Man in the World," and his rich, soulful vocals and flinty, poetic lyrics which find room for compassion as well as brute realism fit the tunes perfectly. By Doe's own word, most of the songs A Year in the Wilderness were written in the studio under a tight deadline, and while the results sound spontaneous, they don't feel rushed and the album is thankfully short on filler. These songs come across as personal, honest and affecting, but several of them lack the immediate charge of Doe's most celebrated work, and A Year in the Wilderness is an album that seeps in rather than reaching out to grab the listener. Still, this music succeeds admirably on its own terms, and the disc's tone suggests that John Doe is getting his heart and soul on plastic in a way that's sometimes eluded him in the past, and that's both impressive and encouraging.

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