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Avg: 4.0 (7 ratings)
- Date Released: April 8, 2002
- Genre: Electronic
- Label: Kompakt
At times a little absurd, sometimes wonderfully campy, Köhncke provides the perfect riposte to complaints that German electronic music is too self-serious.
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We Say...
Anyone complaining that German electronic music is too self-serious need only look to Justus Köhncke for evidence to the contrary. The Cologne DJ and producer's grounding in disco and electro-pop keeps his music feeling lighthearted — in the case of a song like "Hot Love," his contribution to Kompakt 100, Köhncke can be positively (and wonderfully) campy. For the most part, Was Ist Musik doesn't venture too far into full-blown absurdity; the album's title track is as close as he gets, with great Gamble and Huff-style string vamps, acid burbles and showboating vocals combining in a beautiful mess. Dance-floor numbers like "Jet" and "Lucienne" see Köhncke pursuing a more traditional (but still quirky) approach to retro-flavored disco and house in the vein of Daniel Wang or Metro Area. A handful of German-language songs may have the most traction with listeners predisposed to Weimar cabaret, but "2 After 909" ought to please any fan of melodic dance music that's rich in synthesizers. Barbed with a bass hook that's almost impossible to shake loose, it's sounded like a classic since the day it was released. Increasingly, it's becoming just that.
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They Say...
Having taken part in Whirlpool Productions, Subtle Tease, and a solo album of covers that hit upon the songbooks of Janis Ian, Marvin Hamlisch, and John Cale, Cologne's Justus Köhncke lands on Kompakt for the label's most unabashedly pop record to date. Disco, house, and new wave are juggled throughout Köhncke's second album, yet it never sounds at any point as if the scope is too broad. This probably has more than a little to do with Köhncke's approach toward creating his songs and, more importantly, his priorities. The unforced range of Was Ist Musik makes it apparent that he never sets out to specifically write a sleek disco track, a moody synth pop song, or a giddy house stomper. Instead, he seemingly comes up with a hook or a melody, finds the best way to accentuate it, and ends up with something that just happens to fit a particular stylistic pigeonhole. The opening "Lucienne" is an instrumental disco-house hybrid with light flicks of guitar that takes a page from Nile Rodgers' playbook. A trio of vocal pop songs follows, drifting steadily from upbeat dance-pop ("Was Ist Musik") to downcast ambient pop (a cover of Barbara Morgenstern's "Der Augenblick"). "Jet" is a properly titled, charging tech-house track with burbling effects stolen from Giorgio Moroder. The remainder follows suit, with more charming synth licks and another pair of covers; a take on Münchner Freiheit's "Du Bist Nicht Allein" throws in some funny synth squiggles, one of which resembles George Harrison's "My Sweet Lord." And a version of Jurgen Paape's "So Weit Wie Noch Nie" brings the weightlessness of the original back down to the ground while retaining its elegance. Overall, this is a fun, light record that doesn't take itself too seriously.
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| 01. |  |
Lucienne |
5:19 |
|
| 02. | |
Was Ist Musik |
5:01 |
|
| 03. | |
Übertragungen |
4:30 |
|
| 04. | |
Der Augenblick |
4:02 |
|
| 05. | |
Jet |
5:15 |
|
| 06. | |
Du Bist Nicht Allein |
4:39 |
|
| 07. | |
2 After 909 |
5:24 |
|
| 08. | |
Illusion |
4:21 |
|
| 09. | |
Weil Du Mich Verstehst |
3:34 |
|
| 10. | |
So Weit Wie Noch Nie |
6:11 |
|
10 Total Tracks, 48:16 Total Length
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Credits
- Rene Tinner - Mixing // Justus Köhncke - Producer // Justus Köhncke - Main Performer // Justus Köhncke - Mixing // Justus Köhncke - Gesang // Thomas Maringer - Engineer
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