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Labor Days

by

Aesop Rock

 
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Labor Days is as good as you remember, possibly better.

  • We Say...

    So many musical crimes have been committed in the name of "conscious hip-hop" in the years since Labor Days was released, it's become impossible to consider this gloomy forerunner with anything other than mounting skepticism. You've been in this situation before — returned to a book you loved in college only to find it hamfisted and overwritten, stared at your once-beloved Beat Generation box set with a mixture of dread and shame.

    The good news I bring you is this: Labor Days is as good as you remember, possibly better. Aesop's million-syllable-a-second surrealism is still arresting: he lets loose a barrage of sound then yawns out the final word, a weird, disorienting cadence that remains stupefying no matter how many times you hear it. "Fantastic planet urchin putting work in/ Searching for pertinent verse, minus the murderous diversions/ Apologies won't lure me to the communal sob story," he yammers in "Labor," and that's as close to a statement of purpose as he comes.

    This would just be a mere parlor trick if it wasn't for the production, which is uniformly breathtaking. A string of icy arpeggios scramble up the center of "Save Yourself," Aes presciently advising: "The next time you want to be a hero, try saving something other than hip-hop." "Flashflood" is mercilessly grim, an inside-out samurai song where pan flutes crash up against swift, stabbing bass lines. And then, of course, there's "Daylight," the monolithic genre-defining song that none of Aes' disciples have come anywhere close to besting. "While the triple sixers lassos keep angels roped in the basement/ I walk the block with a halo and a stick, poking your patience," he announces over that fantastically blunted organ loop. All this time later, that prodding remains just as insistent, just as fantastically unsettling.

  • They Say...

    After finding an eager online audience for his dense soundscapes and even more complex rhymes, New York MC Aesop Rock released his most potent combination of words and music on his Def Jux debut. Crammed with references to history and mythology, as well as the usual pop-culture name checks, Aesop's lyrics remain unusually verbose and intelligent here, but he's also able to spin them into compelling stories. The best example is the bittersweet, follow-your-dreams saga of "No Regrets," which chronicles a woman's sacrifices for art from childhood to old age. Besides the wealth of detail, the song doesn't sugarcoat the loneliness of its subject, even as it shows her at ease with her choices. And on "9-5ers Anthem," Aesop -- who still works a day job himself -- allays any concerns about him being a hip-hop elitist, offering a shout out to the blue-collar masses. There are still instances where he gives his listeners simply too much information to process for a pop song ("The Tugboat Complex, Pt. 3"), but, overall, he does his best job yet at balancing smarts and accessibility. Of course, with such a focus on lyrics, it's easy to ignore the beats behind them -- but while the sampled backing is sometimes on the plain side, Labor Days contains some inventive bites from classical music, and more than a few tunes will grow on you, if given the chance.

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