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Average: 4.0 (65 ratings)




- Date Released: September 13, 2005
- Genre: Alternative/Punk
- Style: Brit Pop, Indie Pop
- Label: XL Recordings
The Super Furries mellow out
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We Say...
The all-time ace-in-sleeve of Welsh outfit Super Furry Animals was their knack for playing spin-the-bottle with musical genres. There's a downside, though: when you go around kissing niches without restraint or discretion, you don't leave yourself a whole lotta options for the future. The desperation was starting to show on last year's Phantom Power, an empty formal exercise in blue-eyed soul that hit all the marks with expertise, but without any real enthusiasm. Love Kraft succeeds more often than its predecessor by attemping less.
Fittingly, the record's Big Theme is exhaustion. "I can't get enough of it/ Kiss me with apoca-lips," Gruff Rhys sighs in "Zoom," his glum croon gliding over plunking organs and staggering guitars like a hovercraft across a desert. One song later he's lamenting "The thrill's long gone," and the ache in his voice makes it easy to believe him. Compared to the unhinged exhilaration of Rings Around the World — still the band's masterwork — Love Kraft is strikingly sedate. Most of the songs cop a drowsy, midtempo sway, nudged gently along by tickling piano and buzzing electronics. The standout feature here is the elaborate orchestration: the songs tend to crest with a grand, symphonic swell, and tracks like the bleary "Walk You Home," with its sweeping strings and bubbling bass sound like a mash-up between The Fifth Dimension and Stereolab. Only on the sweet, slithering "Psyclone!" and the elastic cowboy bounce of "Back on a Roll" do they recapture some of their mad energy. The rest is relentlessly pleasant. -
They Say...
As Super Furry Animals settle into their second decade of recording and with it their status as veteran rockers, they're inevitably less surprising than they were at the outset of their career, when their music not only had an exhilarating rush, but there was a sense of impish glee, the sense that they were getting away with something that they shouldn't. That naturally has declined with the passage of time, yet with their seventh album, 2005's Love Kraft, SFA show signs of settling comfortably into their status as alt-rock veterans. Compared to the top-heavy, ponderous Rings Around the World and the trippy pop of Phantom Power, Love Kraft sounds warm and relaxed, lush and dreamy, with a strong, distinct sweet undercurrent to the music. Since Phantom producer Mario Caldato, Jr. has been brought back, it's not a great surprise that the album has a similar hazy vibe, but where that album seemed to drift away a little too often, Love Kraft floats in the air -- perhaps it doesn't explore as much territory, but it canvasses its ground particularly well, creating a smooth, almost soulful spin on their signature prog-psych-pop sound. For the first time, each member of the group contributes a lead vocal, but it's a testament to the band's overriding vision that the album never sounds anything less than cohesive. If some of the songs seem to announce themselves in a grander fashion than others -- "Zoom!" is an epic space-age opener, "Ohio Heat" has a wonderful spacy shimmer, and "Lazer Beam," the closest this record comes to an outright rocker, is as addictive as "Golden Retriever," as if Bacharach did psychedelic music -- the songs that recede into the background are all strong and help tie the album together into an ideal late-night record, in all meanings of the term. Perhaps it's a little disappointing on some level that Love Kraft is merely a very good Super Furry Animals effort, with few surprises outside of its alluring sleekness, but this is another excellent album from a band that may no longer shock and surprise, yet always provides a rich, rewarding experience each time it releases a record.
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You Say...
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Credits
- Mark James - Artwork // Ellen Blair - Violin // Mario Caldato, Jr. - Producer // Mario Caldato, Jr. - Engineer // Mario Caldato, Jr. - Mixing // Jeff Daly - Sax (Baritone) // Sally Herbert - Violin // Greg Jackman - Engineer // Greg Jackman - ? // Richard Jackson - Engineer // Sean O'Hagan - String Arrangements // Sean O'Hagan - Wind Arrangements // David Ralicke - Flute // Super Furry Animals - Producer // Super Furry Animals - String Arrangements // Super Furry Animals - Mixing // Super Furry Animals - Wind Arrangements // Marcus Holdaway - Cello // Tracy Holloway - Trombone // Clare Raybould - Violin // Sarah Clarke - Clarinet (Bass) // Leonard D. West - Photography // Elspeth Cowie - Violin // Peter Fowler - Artwork // Jacqueline Norrie - Violin // Brian G. Wright - Violin // Jonathan "Catfish" Thomas - Slide Guitar // Luizão Dantas - Assistant // Gill Morley - Violin // Laura Melhuish - Violin // Jonathan Thomas - Slide Guitar // Leonardo Moreira - Assistant // Amanda Britton - Violin // Mathew Draper - Cor Anglais // Nadia Griffiths - Vocals // Osian Gwynedd - Arranger // Osian Gwynedd - Choir Arrangement // Wil Morris Jones - Arranger // Wil Morris Jones - Choir Arrangement
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