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Quasi-Objects

by

Matmos

 
Quasi-Objects
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Avg: 3.0 (23 ratings)

  • We Say...

    The ever-sampling Matmos take a jackhammer to musique concr ète on their sophomore album, Quasi-Objects. Like their debut, the album showcases (and snips and loops and pulverizes) found sounds, but this time with focus and funk. Balloons and a whoopee cushion bubble, squeak and bounce with the 303-sounding bass line of "Stupid Fambaloo," while the duo stretches the sounds of a wet latex T-shirt into every frenetic part of "Latex." Those songs exemplify the act's slapstick tendencies (something that frequent collaborator Björk admires), but the less outrageous moments of Quasi-Objects are no less compelling. "The Banjo's Categorical Gut" is the product of a banjo that's not just picked, but picked apart, and the steadily shifting rhythms of the glitch-fest "Lift Up Your Hat" help strike the balance between subtlety and excitement. On Quasi-Objects, Matmos keep the ideas flowing, as though they're making their (mostly) wordless music for people who hate instrumentals. It's a feat, but then Kid 606 doesn't call 'em "The A-Team of Electronica" for nothing.

  • They Say...

    The duo's second full-length release on their own Vague Terrain imprint is both an improvement and a disappointment. On the plus side, the material is oceans better production-wise, more thoughtfully arranged, and more fully developed. However, Matmos tend to let the schtick of let's-make-tracks-entirely-out-of-weird-noises get the better of their aesthetic judgement, and too much of Quasi-Objects ends up being little more than flat-falling justification for whoopie cushion samples, stretched banjos, and chopped-up voice. Still, more than a few tracks -- "Cloth Mother/Wire Mother"and "Always Three Words" among them -- are both sonically perplexing and engaging.

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