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The Brit-indie kids get ambitious with their sweeping, swooning latest
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We Say...
Most of the time, British indie-pop is content to stay in its corner. Phil Spector's mid-'60s classics are a touchstone not because they were hits, but because they define the kind of swelling adolescent romanticism the genre typically treasures. But Camera Obscura has always been more ambitious; witness the widescreen strings that drenched both 2006's Let's Get Out of This Country and this, its follow-up. Singer Tracyanne Campbell favors sweeping melodies, even on tear-in-your-beer slow songs like "Forest and Sands" or "Away with Murder," its chorus of "I'd be lonely, too/Just like you/I'm just like you," stretched long and sweet alongside a suicidal goth-country organ.
Good thing Campbell does sunny as well as she does dusky. "French Navy" is a mirror of Country's opener, "Lloyd, I'm Ready to Be Heartbroken": windswept and '60s-mod at the same time, like Richard Lester directing a go-go-booted, mini-skirted, black-and-white Wuthering Heights. "French Navy" builds more gradually, with Campbell's vocals more subtly shaded than before, with no less impact. "I wanted to control it/But love, I couldn't hold it," she sings on the chorus, and it works because she holds back just enough. The next track, "The Sweetest Thing," is every bit as good, tangy strings leading the chorus while a couple well-timed soul-guitar chords elevate the bridge. If Phil Spector weren't so clearly preoccupied, he might even be proud. -
They Say...
If Camera Obscura's jump from Merge (and Elefant) to 4AD had you worried, or if you had a nagging suspicion that the switch was some kind of cynical career move and that they might change from being a small band with a knack for creating small moments of transcendent beauty and emotion to bland major-label-styled product (not that 4AD is any more "major label" than Merge in 2009, but they do seem more like big business somehow), well, you can relax now. The only thing that's changed is that the band appears to have hired fancier stylists for their photo shoots. My Maudlin Career is almost an exact copy of their previous album Let's Get Out of This Country from Jari Haapalainen's echo-ey, layered production to the mix of ballads and uptempo songs to the preponderance of strings and the unflinchingly honest lyrics. And of course, Tracyanne Campbell's beguiling vocals and the band's -- now down to a five-piece with the departure of trumpeter Nigel Baillie -- note-perfect performances. Both albums lead off with their hookiest song (in this case the extremely lovely "French Navy"), have moments of Motown-fueled joy ("Honey in the Sun") and quiet country rock ("Forest and Sands"), and excel at dramatic girl group-influenced ballads (the title track, "The Sweetest Thing"). Like the last album, too, Campbell's words are sad to the point of gloomy. This time out, though, she cranks the sadness to 11 as the record unfolds like a travelogue of sadness and disappointment, stopping for frozen rivers in Toronto, "half full moons in Mexico," kisses in Spain, California redwoods, and bus trips from Cleveland to Chicago as her relationship unravels. That Campbell had her heart broken is plain, and she isn't shy about giving out details and delving deep into the dark corners of her misery. It's quite brave and she makes it work by pairing the despair of the verses with easy-to-sing-along-with choruses. Also by writing lovely melodies that band and producer fully flesh out with a light and steady hand. Too many confessional writers seem to forget these vital elements, but she stays on top of it almost without fail. In fact, the only song that on the album that falls a little flat fails in that very regard; "Other Towns & Cities" is a meandering ballad that has unusual rhymes and vocal lines, but not much else going on musically. Still, one not amazing song doesn't make the album any less of a musical success or a less powerful emotional experience, because it truly is both. And if My Maudlin Career falls a tiny bit short of Let's Get Out of This Country, and it does, it's only because that album was so wonderful. Really, the group could go on remaking it for years to negligible complaints from their fans and very few diminishing returns.
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| 01. |  |
French Navy |
3:19 |
|
| 02. | |
The Sweetest Thing |
4:23 |
|
| 03. | |
You Told A Lie |
3:45 |
|
| 04. | |
Away With Murder |
4:08 |
|
| 05. | |
Swans |
4:09 |
|
| 06. | |
James |
3:50 |
|
| 07. | |
Careless Love |
4:35 |
|
| 08. | |
My Maudlin Career |
4:19 |
|
| 09. | |
Forests & Sands |
4:16 |
|
| 10. | |
Other Towns & Cities |
3:59 |
|
| 11. | |
Honey In The Sun |
5:46 |
|
11 Total Tracks, 46:29 Total Length
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Credits
- Santiago Jimenez, Jr. - Violin // Santiago Jimenez, Jr. - Violin // Pontus Olsson - Engineer // Per "Texas" Johansson - Horn // Donald Milne - Photography // Christopher Öhman - Viola // Nicolai Dunger - Vocals (Background) // Jari Haapalainen - Percussion // Jari Haapalainen - Producer // Björn Yttling - Horn Arrangements // Björn Yttling - String Arrangements // Andreas Forsman - Violin // Stefan Persson - Trumpet // Tracyanne Campbell - Guitar // Tracyanne Campbell - Vocals // Tracyanne Campbell - Writer // Tracyanne Campbell - Group Member // Gavin Dunbar - Guitar (Bass) // Gavin Dunbar - Group Member // Kenny McKeeve - Guitar // Kenny McKeeve - Vocals (Background) // Kenny McKeeve - Group Member // Carey Lander - Organ // Carey Lander - Piano // Carey Lander - Group Member // Lee Thomson - Drums // Lee Thomson - Group Member // Johan Rude - Engineer // Britta Persson - Vocals (Background) // Anna Landberg Dager - Cello // Erik Arvinder - Violin // Julie Annis - Artwork // Julie Annis - Layout Design // Jessica Hugosson - Violin
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