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Speed, aggression and highway construction vehicles: welcome to grindcore.
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We Say...
Blending the speed and polemics of hardcore, the aggression and brutality of death metal and the cacophony of highway construction, Napalm Death crafted an ear-shattering sound that served as the blueprint for grindcore. Each side of their debut LP (remember those?) was recorded with a different lineup and delivered complementary blasts of noise therapy that not only launched one of the most powerful of all metal bands, but also served as a springboard for some of its members to eventually form Carcass, Godflesh, Scorn and Cathedral.
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They Say...
As a rallying call for what seemed like millions of bands to follow, not to mention the launching point for the varying careers of Justin Broadrick, Nick Bullen, Mitch Harris, Lee Dorrian, and Bill Steer, Scum deserves its reputation alone. But it's also fun to listen to -- a strange word to use, but no doubt about it, the album has its own brand of rock & roll kicks taken to an almost ridiculous extreme. Split between the original lineup, with Broadrick and Bullen, and the next one, with Dorrian, Steer, and Shane Embury, Scum is a portrait of a place, time, and state of mind. Opener "Multinational Corporations" is the deep breath taken before the plunge: skittering cymbals, low-key feedback squalls, Bullen's rasped hatred -- and then all hell breaks loose. The riffs by both the Broadrick/Bullen and Steer/Embury teams use hyperconcentrated Black Sabbath-via-Motörhead-and-Metallica approaches as starting points, but the moorings are cut loose when everyone concentrates on nothing but speed itself. The combination of hyperspeed drums, crazed but still just clear enough guitar and bass blurs, and utterly unintelligible vocals takes the "loud hard fast rules" conclusion to a logical extreme that the band's followers could only try to equal instead of better. Interspersed throughout all this on various songs are more obviously deliberate constructions -- parts of the title track, say, or the focused chug-and-stomp start of "Siege of Power." They act as just enough pacing for the rampages elsewhere, where unrelenting, intense sound becomes its own part of weird ambient music, textures above all else. It's little surprise the free jazz/noise wing latched onto Scum as much as wound-up-as-hell headbangers did worldwide. That practically no song survives past two minutes -- much less one -- is all part of brusque do-the-job-and-do-no-more appeal. The most legendary number as a result: "You Suffer (But Why?)," running at a mere two seconds.
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| 01. |  |
Multinational Corporations |
1:06 |
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| 02. | |
Instinct of Survival |
2:26 |
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| 03. |
The Kill |
0:23 |
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| 04. | |
Scum |
2:38 |
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| 05. | |
Caught... in a Dream |
1:47 |
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| 06. | |
Polluted Minds |
0:58 |
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| 07. | |
Sacrificed |
1:06 |
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| 08. | |
Siege of Power |
3:59 |
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| 09. | |
Control |
1:23 |
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| 10. | |
Born on Your Knees |
1:48 |
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| 11. | |
Human Garbage |
1:32 |
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| 12. |
You Suffer |
0:05 |
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| 13. |
Life? |
0:43 |
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| 14. |
Prison Without Walls |
0:38 |
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| 15. |
Point of no Return |
0:35 |
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| 16. |
Negative Approach |
0:33 |
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| 17. | |
Success? |
1:09 |
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| 18. |
Deceiver |
0:29 |
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| 19. | |
C.S. |
1:14 |
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| 20. |
Parasites |
0:23 |
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| 21. |
Pseudo Youth |
0:42 |
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| 22. | |
Divine Death |
1:21 |
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| 23. |
As the Machine Rolls On |
0:42 |
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| 24. |
Common Enemy |
0:16 |
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| 25. | |
Moral Crusade |
1:33 |
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| 26. | |
Stigmatized |
1:03 |
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| 27. | |
M.A.D. |
1:34 |
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| 28. | |
Dragnet |
1:01 |
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28 Total Tracks, 33:07 Total Length
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Credits
- Napalm Death - Main Performer // Napalm Death - Main Performer // Lee Dorrian - Vocals // Jeff Walker - Cover Art // Justin Broadrick - Guitar // Mick Harris - Drums // Mick Harris - Drums // Mick Harris - Drums // Bill Steer - Guitar // Mitchell Dickinson - Photography // Nick Royles - Photography // Nicholas James Bullen - Bass // Nicholas James Bullen - Vocals // Jim Whitely - Bass
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