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- Date Released: January 1, 1995
- Genre: Rock/Pop
- Label: Anagram Records / IODA
Proof that you don’t always need grotesque lyrics or a silly costume to produce an unsettling record.
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We Say...
Best known for taking the lead on three tracks from the Velvet Underground’s debut, Nico’s chilly Germanic intonation ensured that “All Tomorrows Parties” et al. had the kind of depressing edge beloved by miserablists everywhere (not that the Velvets themselves were any strangers to misfortune and vice). It was perhaps the perversely minimal solo record The Marble Index, though, which sealed Nico as an inspiration for future generations of icy maidens. This live 1980 recording from Manchester’s Library Theatre plucks tracks from near and far, resulting in a compact summary of her career. Nico’s penetrating voice is resoundingly pushed to centre stage, leaving the backing musicians so subdued as to almost be non-existent. The effect is of a lonely, unaccompanied siren practically draining the life from the room with her haunting lamentations. Fair warning here, the audio quality is not immaculate and Nico is always a challenging listen — but that’s really half the point. Here's proof that you don’t always need grotesque lyrics or a silly costume to produce an unsettling record.
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They Say...
There is a plethora of live recordings by Nico from the last decade of her life, enough to discourage even fans from investing a lot of time and effort in acquiring each one. Heroine, however, must rank not only among the best of those recordings, but among her best 1980s work. Recorded at the Library Theatre in Manchester around 1980 (an exact date is not available), it immediately has a leg up on her studio work of the era (as heard on her Drama of Exile album) in its minimal, at times almost-bare arrangements. Nico was not made to be a rock star, as some of her production seemed to insist on trying to make her. She was best as a lonely voice peering out of the darkness, and though she's backed by a band (the exact musicians are unidentified) on this set, the accompaniment's spare and spooky, as it should be. The repertoire's a good cross selection of material, spanning the Velvet Underground to her then-current songs, including "All Tomorrow's Parties," "We've Got the Gold," "Frozen Warnings," "Valley of the Kings," and "Femme Fatale." Vocally she's pretty focused and cutting, though in a somber fashion, on this recording. It has pretty good sound too, though you'll sometimes need to crank the volume a bit, so spacious and subdued is the instrumentation, which leans heavily on synth and harmonium. The 2002 CD edition on Anagram has an enhanced track/video of her singing "My Heart Is Empty," presumably from around the same time or from the exact performance documented on the album, as well as a remix of "Reich Der Traume," with vintage and remix doctors unspecified in the notes.
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| 01. |  |
My Heart Is Empty (Album) |
4:19 |
|
| 02. | |
Procession (Album) |
4:03 |
|
| 03. | |
All Tomorrow's Parties (Album) |
3:10 |
|
| 04. | |
Valley Of The Kings (Album) |
3:24 |
|
| 05. | |
The Sphinx (Album) |
3:31 |
|
| 06. | |
We've Got The Gold (Album) |
4:21 |
|
| 07. | |
Mutterlein (Album) |
4:15 |
|
| 08. | |
Afraid (Album) |
4:07 |
|
| 09. | |
Innocent And Vain (Album) |
2:53 |
|
| 10. | |
Frozen Warnings (Album) |
4:46 |
|
| 11. | |
Fearfully In Danger (Album) |
3:58 |
|
| 12. | |
Tananore (Album) |
4:11 |
|
| 13. | |
Femme Fatale (Album) |
3:43 |
|
13 Total Tracks, 50:41 Total Length
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