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Auditorium

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Radar Bros.

 
Auditorium
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Avg: 3.5 (39 ratings)

Animal-obsessed slowcore group continues to innovate on their sound.

  • We Say...

    The Radar Bros. always seemed like more than just another slowcore band. Despite what detractors have written, each of the trio’s four previous albums had some measure of dynamics — a few bright melodies and a dark playfulness in the lyrics that you don’t find in the more precious songs of bands like Bedhead or Low. You could say the Radars are more Coen Brothers than Emily Dickinson.

    Take “Hills of Stone,” the centerpiece of the group’s latest album, Auditorium. In a cinematic wash of piano and electronics, front man Jim Putnam sings of a backwoods drowning. He does so very casually, and the interplay of faint background vocals and occasional guitar riff pushes the song to the edge of insanity, as if it were Alice Cooper’s “Ballad of Dwight Fry” funneled through The Dark Side of the Moon. That tone is amplified in “Lake Life,” where bouncy melody and sweet harmonies get twisted by a spooky Theremin and buzzing baritone sax.

    If there’s a weakness here, it’s Putnam’s belaboring of themes in the lyrics; throughout Auditorium, he seems obsessed with animals, mentioning dogs, lambs, crows, fish and lots of rabbits. It’s a minor quibble for an album whose words serve more as sonic texture than great poetry. This is a case when burying the vocals might not be a bad idea.

  • They Say...

    With touring guitarist Jeff Palmer now a permanent member of the band, the Radar Bros. refashioned themselves as a quartet for 2008's Auditorium. Apart from the expanded lineup, however, nothing much else has changed, since the Bros. still sound too languid to venture outside their slowcore comfort zone. They excel at crafting dreamy ballads that owe as much to sedatives as Pink Floyd's "Breathe," complete with sleepy-eyed synth swells and jarring, left-field lyrics ("I keep drinking your tailgate piss, it's you I miss"). The shtick is still effective, but it's also old, as this is the same recipe the Radar Bros. used to cook up their four previous slabs of half-baked indie rock. Like Codeine on codeine, Auditorium could nicely orchestrate a lazy afternoon spent sleeping in the summer sun, yet the album mostly sounds too leisurely for its own good. Songs meld together, guitar lines fade from memory, and melodies drift in one ear and out the other. There's little diversity here to jar the listener awake, only pleasantly smooth tunes for those seeking to turn on, tune in, and drop out. Returning fans with an insatiable craving for new material won't necessarily be crushed, but those seeking to delve into the band's catalog would do better to pick up 2002's And the Surrounding Mountains, where the songs climb skyward before crashing back to mundane sea level.

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