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Throw Out The Lifeline

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Sallie Martin Singers And Cora Martin

 
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Throw Out The Lifeline
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  • We Say...

    The country migrates to the city in Sallie Martin's curt vocal sassiness on "My God Is a Battle Axe," while adopted daughter Cora provides a balance of sophistication and joins with organist Dave Weston and guest singer Brother Joe May for otherworldly hums and swoops of commentary. There's a hint of downhome blues in the voice of Sallie Martin, known more for her music publishing acumen than her singing, but morning never sounds so much like Sunday when this CD plays. The arrangements are over-the-top and oddly unbridled, but this is what black folk heard in church in the early '50s.

  • They Say...

    Guitarist Barney Kessel recorded regularly for the Contemporary label during 1953-1961, one gem after another. In 1969 he returned to Lester Koenig's label for this lone effort, a quartet set with vibraphonist Bobby Hutcherson, bassist Chuck Domanico, and drummer Elvin Jones. The music is fairly free, particularly Kessel's four originals (which include "Blues, Up, Down & All Around" and "Two Note Samba"). Even Paul Simon's "The Sounds of Silence" and "This Guy's in Love With You" are turned into reasonably creative jazz by the all-star group. Although none of the musicians was associated exclusively with the avant-garde (Elvin Jones came the closest but never quite embraced free jazz), they show the influence of the explorations of the era, using aspects of the innovations as a logical way to stretch the jazz mainstream. Fascinating music.

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    Album: Throw Out The Lifeline

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