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Avg: 4.0 (42 ratings)
- Date Released: April 15, 2003
- Genre: Electronic
- Style: Electronic Dub
- Label: Tigerbeat 6 / Revolver
A weird, wild ride of dub, bass and Jamaican MCs that hits the primal sonic G-spot
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We Say...
Having previously masqueraded as Techno Animal and Razor X, Kevin Martin hit a primal sonic G-spot with Pressure, his second album as the Bug. Martin’s electronica-patrols had already made admirers out of Aphex Twin and Andy Weatherall, while Razor X Productions (a collaboration with the Rootsman) explored his fascination with Jamaican dancehall. With the Bug, Martin devised a blueprint for shaking his electronics in a blender with gobbets of dub and bass and a team of Jamaican MCs. The opening onslaught of "Politicians and Paedophiles" is like a razor to the windpipe, with its machine-gun barrage of bass and percussion underpinning triphammer rhymes simmering with sleaze, menace and murder. "Fuck Y-Self" grabs you by the lapels and yells its scalding anger in your face, and the screams and banshee wails of "Night Steppa" evoke a sub-world of struggle and deprivation. But the Bug can also find space for real poetry, such as the spookily lyrical "Thief of Dreams" or the elegiac "Living Dub." It’s a weird, wild ride.
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They Say...
From God to Techno Animal to Ice, projects associated with Kevin Martin always evoke certain styles but rarely rely on them, instead using them as a jumping-off point for his sound experimentation. While Ice was nominally a hip-hop project, the tracks really sounded nothing like any rap music heard before it (though not after it; Def Jux may have ripped the script from Martin slightly). His debut on the Tigerbeat6 label associated with admirer Kid 606 is in similar fashion to his usual M.O. Yes, it's a dancehall project, but other than a few passing nods to the style, Pressure doesn't sound like a dancehall record. Though brutally powerful like the best dancehall records, it sacrifices much of the groove and replaces it with deep yet brittle drum programs; distorted, thudding basslines; and fragmentary shards of dub effects. Every track here has a vocalist, and Martin could hardly have chosen better -- the list of collaborators includes a raft of distinctive, contemporary artists, such as Toastie Tailor from New Flesh, Daddy Freddy, the Rootsman, and the inimitable Paul St. Hilaire (a Rhythm & Sound collaborator whose previous handle, not to be mentioned here, was the subject of a vicious cease-and-desist order). Three tracks featuring Roger Robinson are closer to dub poetry, though, and allow Martin even more latitude for his productions; the spine-tingling "Thief of Dreams" recalls a half-stepper Basic Channel production. For those who'd be more interested in dancehall if not for the many crude, formulaic productions, Pressure is the perfect meld of experimental and energetic.
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| 01. |  |
Politicians and Paedophiles |
4:31 |
|
| 02. | |
Beats, Bombs, Bass, Weapons |
3:18 |
|
| 03. | |
Executor |
3:45 |
|
| 04. | |
Live and Learn |
4:43 |
|
| 05. | |
Thief of Dreams |
5:20 |
|
| 06. | |
Superbird |
4:09 |
|
| 07. | |
Run the Place Red |
4:50 |
|
| 08. | |
Night Steppa |
5:27 |
|
| 09. | |
Some Days |
4:57 |
|
| 10. | |
Fuck Y-Self |
4:32 |
|
| 11. | |
Killer |
3:36 |
|
| 12. | |
Living Dub |
5:50 |
|
12 Total Tracks, 54:58 Total Length
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Credits
- The Bug - Main Performer // The Pathological Puppy - Artwork // The Pathological Puppy - Design // Roger Robins - Performer
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