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The Glands

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The Glands

 
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The Glands
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Avg: 4.5 (68 ratings)

If the Pretty Things had been from the American South…

  • We Say...

    If the Pretty Things had been from the American South this might be the album they made instead of Parachute. I got the first Glands record from Bar/None and liked it, but it became one of those CDs lost in the tide. Then we saw them in Nashville while we were down there recording. At some point Georgia said to me that they were like a cross between the Cars and the Soft Boys and I acted like I knew just what she meant, especially when, within minutes, they were covering "Just What I Needed." But nothing prepared me for how sensational this record is. Every time I get ready to listen to it, I think that "Swim" is my favorite song, but then as each one starts I realize: No, that's my favorite. (But it's really "Swim.")

  • They Say...

    Eponymously-titled albums that follow a previously released debut (especially once the band signs to a major label) usually seem to indicate that the band is going back to square one, and this self-titled album by the Glands -- who hail from the college burg of Athens, GA -- does just that, offering up refreshingly enigmatic, artfully arranged and bouncy Confederate pop that blends porch swing guitars, jazzy basslines, and jangling Paisley Underground and Britpop aesthetics. "Work It Out" sounds like a pre–Mersey Beat Britbilly workout that woulda rocked the U.K. back in '62, while "Straight Down" is pretty straight-up indie rock. Vocalist/guitarist Ross Shapiro's endearing but heartbreakingly frail vocals have been compared to Village Green vintage Ray Davies, but fans of Olivia Tremor Control's Bill Doss or the Flaming Lips' Wayne Coyne may hear a little of them in there too. Doug Stanley's airy keyboard burbles and Craig McQuiston's keening lap steel will appeal to fans of the Elephant 6 collective sound as well.

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