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Killingsworth

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The Minus 5

 
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Killingsworth
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Avg: 3.5 (51 ratings)

The latest deranged feat of curatorial outrageousness from Scott McCaughey

  • We Say...

    On "Ambulance Dancehall," singer and songwriter Scott McCaughey finally goes too far. It's odd enough that the song opens as a fiddle-and-guitar country shuffle borrowed from Texas legend Doug Sahm via early-'90s alt-rockers Uncle Tupelo, then slides into a surreal tale about a Civil War-era hospital turned nightclub where the featured entertainment is a band called Florence and the Nightingales, and which a cult of "Christians and killers" sets ablaze. What's really deranged is when the song turns into a spoof of '60s dance-craze hits. "Ambulance dancehall/Do the Gangrene, do the Break," McCaughey sings. "Ambulance dancehall/ Do the amputated leg." Killingsworth, McCaughey's latest feat of curatorial outrageousness, pairs the neo-traditionalism of the Decemberists with some of the most profoundly unhinged lyrics this side of '60s psychedelia. "The Lurking Barrister" describes the damaging exploits of a corrupt Melvillian lawyer against plucked banjo and slapped cymbals; "Dark Hand of Contagion" encrypts a story of romantic jealousy into a peaceful, easy, Eagles-style ballad. McCaughey possesses the capacity to be direct: "Big Beat Up Moon" captures a woman adrift in a modern condominium wasteland, marveling at the sheer volume of loneliness that surrounds her. "How can there be so many people stacked up in rows/That still feel all alone?" she wonders. It's a brief respite of sentimentality before McCaughey plunges back into the luscious insanity.

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