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Avg: 3.5 (106 ratings)
- Date Released: July 14, 2009
- Genre: Alternative/Punk
- Style: Indie Rock, Alternative
- Label: Arts & Crafts / IODA
Blissfully all-over-the-place indie rock
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We Say...
The Most Serene Republic are clearly determined to skirt all accusations that they lack ambition. Take just one of the tracks on this peculiar and marvelous album; "Heavens To Purgatory" clocks in at just two minutes and 39 seconds, yet it contains all of the following: an acoustic singer-songwriter's introduction, a clap-your-hands-and-sing-along interlude, two lead vocal parts, a delirious choral backing, an arrestingly understated guitar solo, and an all-too-rare deployment of the word "gadzooks" in a modern indie pop hit.
It would be tempting to describe this track as typical of the album, but to do so would be to tell only part of the story: while the animating traits of eccentricity and experimentation are constant, absolutely nothing else is. This third album by the Canadian seven-piece is the soundtrack of several imaginations running wild, along the way echoing the Polyphonic Spree, Mull Historical Society, Flaming Lips, the Beta Band and Super Furry Animals. It's much to their credit that the best tracks here are the ones which tempt hubris most flagrantly: the deranged instrumental orchestral romp "Patternicity" and the exquisitely titled "No One Likes A Nihilist", which has something of the precious fragility of early Prefab Sprout. -
They Say...
Toronto is a city that seems to spawn pop groups unafraid to aim for a grand and distinctive vision, and one such band, the Most Serene Republic, has been raising its sights a bit higher with each successive trip to the recording studio. The group's fourth album, ...And the Ever Expanding Universe, feels too modest to be called epochal, but its sweep and ambition are broad enough that no other word feels quite apt. While the band features seven musicians, with help from producer Dave Newfeld, the Most Serene Republic sound like some sort of 21st century chamber orchestra on these sessions, particularly on the extended instrumental "Patternicity," and though they haven't abandoned the usual trappings of contemporary pop (cue up the lovely "Vessels of a Donor Look" for evidence), the rich tonal colors and imaginative vocal arrangements that run through most tracks are the work of a band that's moved past guitar/bass/drums/maybe a keyboard in favor of a more challenging vision. ...And the Ever Expanding Universe is tuneful, and the sweetness of the harmonies that dot many of the songs is engaging, but the swing between the breathy voices and cruelly distorted instruments on "Phi" is the work of a group not content to simply sound pretty, and the layers of instruments that interact within a selection like "Catharsis Boo" show that fun and challenging are not concepts that cancel each other out. And there's a graceful balance in the arrangements and performances that keeps this music joyous and full of wonder whether it aims for simplicity or a baroque level of detail. ...And the Ever Expanding Universe is a small wonder that easily confirms the Most Serene Republic's status as one of the most impressive acts on a Toronto pop scene that is already producing a bounty of exciting music.
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| 01. |  |
Bubble Reputation |
3:09 |
|
| 02. | |
Heavens To Purgatory |
2:39 |
|
| 03. | |
Vessels Of A Donor Look |
2:55 |
|
| 04. | |
Phi |
3:39 |
|
| 05. | |
The Old Forever New Things |
2:56 |
|
| 06. | |
All Of One Is the Other |
3:09 |
|
| 07. | |
Patternicity |
5:51 |
|
| 08. | |
Four Humours |
3:08 |
|
| 09. | |
Catharsis Boo |
4:07 |
|
| 10. | |
Don't Hold Back, Feel A Little Longer |
3:54 |
|
| 11. | |
No One Likes A Nihilist |
3:56 |
|
11 Total Tracks, 39:23 Total Length
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