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Reality Bites

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Original Soundtrack

 
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Avg: 4.0 (123 ratings)

Like a college radio mixtape, circa 1989

  • We Say...

    Ben Stiller's directorial debut Reality Bites is unmistakably a product of the early '90s, but its soundtrack is mainly comprised of holdovers from the '80s. Along with iconic hits by Squeeze, The Knack and U2, the set includes cuts from World Party, the Posies, Crowded House, and Dinosaur Jr., giving the impression that the record is in fact a mixtape made by a college radio DJ circa 1989.

    This is hardly a bad thing — the curation is well above average, particularly in the often slapdash realm of '90s film soundtracks, and there is a consistent goofy yet glossy romanticism to the disc that nicely matches the tone of the movie. No track captures that feeling better than Lisa Loeb and Nine Stories' delightful "Stay (I Missed You)," a major pop hit that launched Loeb's career and propelled the soundtrack to the top of the charts. Even after years of radio play and untold thousands of terrible karaoke performances, Loeb's original recording still sounds effortlessly lovely, demure, and incredibly sincere for a tune from an era marked mainly by irony and cynicism.

    Just as audiences expecting some kind of definitive, true-to-life take on "slacker" culture would be left wanting by the film, listeners looking for primer on '90s will be disappointed. Taken on its own terms, though, both the picture and its soundtrack are sweet and unapologetically starry-eyed about young romance.

  • They Say...

    A fine slice of twentysomething alternative pop from the 1990s, the soundtrack to Reality Bites presents the finest of the decade's mainstream alternative pop artists. Crowded House, the Juliana Hatfield 3, and U2 all shine with previously released tracks, Lenny Kravitz turns in a solid new number, Dinosaur Jr. hands in a strong B-side, and World Party offers the sublime musical in-joke "When You Come Back to Me," where they rearrange David Bowie's "Young Americans" for the '90s. On the lesser side, the re-recording of Squeeze's "Tempted" is unnecessary, and the remix of "My Sharona" removes its kitschy charm.

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