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Nigeria Special: Modern Highlife, Afro-sounds & Nigerian Blues 1970-76

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Various Artists

 
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Nigeria Special: Modern Highlife, Afro-sounds & Nigerian Blues 1970-76
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Avg: 4.5 (230 ratings)

A must-hear survey of Nigeria at its most rhythmically exuberant, circa the rise of Fela Kuti.

  • We Say...

    Some compilations that highlight a particular sound during a particular time follow a straight line. But when that time and place is as relatively under-documented as early ’70s Nigerian pop, such tidiness isn’t so necessary — it’s enough to just crack the door and to keep it open for an enticing while. That’s why Nigeria Special, a brilliant two-hour tour through a musical world that ranged far more widely than even a serious fan of this era and place might have been aware, is such a triumph. Covering the period just after the Biafran War (1967-70) had ended, Nigeria Special concentrates on the region’s late highlife and the post-Fela Kuti fallout of Afrobeat — Kuti was an exemplar of the style, but by no means the sole model of success. If that means the collection’s focus blurs a little, that’s more than made up for the sheer breadth, range and intrigue on display here.

    Many of Nigeria Special’s cuts are so juicy it’s impossible to believe they’ve never been made available outside of Nigeria before. The Funkees’ “Akula Owu Onyeara” — originally released in two parts, and edited together here for the first time — works like Fela at his most rhythmically sinuous; the simple keyboard figures could be Morse Code signal for uncut funk, and it has one of the most perfect endings you’ll ever hear. George Akaeze & His Augmented Hits’ “Business Before Pleasure” is delectably light-footed Afrobeat with laconic chants and jazzy horns so friendly they belie the title: this is business as pleasure. The nonstop forward motion of the Semi Colon’s “Nekwaha Semi Colon” is formally disco — the hi-hat/kick-drum pattern points right at it — but it’s so hypnotic it seems rooted in something far older (and more intrinsically Nigerian). The highlife tracks are equally hot: St. Augustine & His Rovers Dance Band’s “Onwu Ama Dike” is made even lovelier by its slightly messy rhythmic feel, not to mention the semi-sweet horn line.

    Compiler Miles Cleret claims that there are thousands more such goodies that have just been sitting in Nigeria waiting to be rediscovered. The 26 included here are such a pleasure to listen to that, for anyone who loves them, they could inspire fantasies of booking a flight to Lagos and starting a treasure hunt of one’s own.

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