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Whiskey Tango Ghosts

by

Tanya Donelly

 
Whiskey Tango Ghosts
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Avg: 4.0 (101 ratings)

  • We Say...

    Whiskey Tango Ghosts is deceptively subtle. Its sparse instrumentation, lyrical love poems, and unassuming quietude may seem to be simply a soothing, country-tinged collection of lazy day lullabies — but what you're really hearing is the sound of someone who has finally found peace after over two decades of searching. Tanya Donelly has been pinballing around in the critics' collective eye since her teenaged debut with Throwing Muses in the mid '80s; two bands (the Breeders and her highly successful personal vehicle, Belly) and three solo albums later, she seems undeniably content. Of course, much of Donelly's appeal has always lain in her quirky eclecticism, meaning this more stripped-down, straightforward offering could seem a bit tame to longtime fans. Still, tracks like "Butterfly Thing" and "My Life as a Ghost" retain enough of her familiar songwriting and voice to provide a bridge to the rest of the largely percussion-free, acoustic guitar-driven compositions that populate the disc. Throughout, she's joined intermittently by piano, slide guitar, pedal steel — and the faintest hints of what came before.

  • They Say...

    Whiskey Tango Ghosts is without a doubt Tanya Donelly's most simple album of her career. It is also most likely her bravest. Unlike her guitar-friendly work with Belly and Throwing Muses, Donelly eases up on the electric riffs and builds on the sweetness found on 2002's Beautysleep. There isn't a clear-cut theme lingering throughout these 11 songs other than Donelly's own charming appreciation for Stephen Sondheim and some of country music's more classic sounds. She listened to a lot of Gram Parsons, Emmylou Harris, and Lucinda Williams and a bit from Wilco and Neko Case during the recording of Whiskey Tango Ghosts. If there was any kind of influence stemming from those particular artists, it's reflected in Donelly's streamlined approach to this album. The soft beauty that's made her a star all these years is the fruit of these songs. Her girlishly sweet vocals are as good as ever and all instruments are bare bones. Most of the time it's only Donelly and an acoustic guitar or it's her and the stylish chill of her backing band, husband Dean Fisher (guitar/bass/drums), Elizabeth Steen (piano), and Rich Gilbert (pedal steel/guitar). From the mauve-colored love song "The Center" and the jazz-like comfort of "Divine Sweet Divide" to the bittersweet melodies of "Just in Case You Quit on Me" and "The Promise," Whiskey Tango Ghosts finds solace in finding a place in life regardless of how much it changes. And as much as it is lovely, there's a hint of gray hovering over Donelly's signature musical purity. "Story High" and "Whiskey Tango" exude such somber tones. Much like Neko Case did with Blacklisted, Donelly's effort in keeping the instrumentation as simple as possible in order for the lyrics to cast a spell of wonder is exactly what makes Whiskey Tango Ghosts the enchanting album that it is.

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